打击乐演奏艺术中的意识与心理调控

发布时间：2018-02-24 00:50

本文关键词： 打击乐意识心理　出处：《中央音乐学院》2014年硕士论文　论文类型：学位论文

【摘要】：在音乐演奏艺术中,演奏者无论是在平日的练习中亦或在舞台上,大多数时间中是需要独自的面对演奏的。无论是在练习中攻克难点,还是在演奏中处理各种突发状况,无不需要演奏者透过对自己意识与心理的有效调控来实现。有时演奏者充当自己的练习指导,有时又要成为自己情感的“分析者”,在舞台上更是自己唯一的“战友”。然而,在音乐演奏领域中,对演奏者自身意识和心理的关注却并不多。对意识与心理这二个因素,能够为音乐演奏带来的影响与作用,更是探究的少之又少。本文从笔者多年打击乐演奏的体会出发,运用心理学中关于意识与心理调控的知识,透过对常见打击乐曲中片段的解析,将意识与心理二因素与打击乐演奏结合在一起。透过对实例的分析,呈现出意识与心理相关知识在打击乐演奏实践中运用的方式方法。本文分别从打击乐练习过程和舞台演奏两方面来阐释打击乐演奏艺术中的意识与心理调控。力图透过从意识与心理层面对打击乐演奏的探究,找寻到练习中问题解决的新思路、新方法；舞台演奏中心理、状态调整的新途径。帮助演奏者,在练习中找准方法、提高效率,体会快乐,更新对“练习”枯燥、无趣的认知和感受；在舞台演奏中调整心态和状态,更自信、从容、轻松的面对演奏。启发打击乐演奏者以全新的视角审视打击乐演奏艺术,引起演奏者对打击乐演奏的全新思考,帮助打击乐演奏者发掘出打击乐演奏艺术更深厚的魅力,营造打击乐演奏者在演奏中的快乐体验,激发打击乐演奏者对打击乐演奏艺术探索的渴望和兴趣,促进打击乐艺术蓬勃的向前发展。
[Abstract]:In the art of musical performance, the performer, whether in the usual practice or on the stage, has to face the performance alone most of the time. Whether in practice to overcome difficulties or to deal with all kinds of unexpected situations in the performance, There is no need for the performer to realize it through effective regulation of his own consciousness and psychology. Sometimes the performer acts as his own exercise guide, sometimes he becomes an "analyst" of his own emotions, and on stage he is his only "comrade in arms." In the field of music playing, there is not much attention to the player's own consciousness and psychology. Based on the author's experience in percussion performance for many years, this paper applies the knowledge of consciousness and psychological regulation in psychology to analyze the fragments of common percussion music. This paper combines two factors of consciousness and psychology with percussion performance. Through the analysis of examples, it presents the ways and methods of consciousness and psychology related knowledge in percussion performance practice. This paper explains the consciousness and psychological regulation in percussion performance from the aspects of percussion practice process and stage playing, and tries to explore the percussion performance from the aspect of consciousness and psychology. Find new ideas, new methods for solving problems in practice, new ways for psychology and state adjustment in stage playing. Help players find the right methods in practice, improve efficiency, experience happiness, and renew the boredom of "practice". Dull cognition and feeling; adjust the state of mind and state in stage playing; be more confident, relaxed and relaxed in the face of performance. Inspire percussion players to look at percussion art from a new perspective, To arouse the players' new thinking on percussion, to help percussion players to discover the deeper charm of percussion performance, and to create a happy experience for percussion players. To stimulate percussion players' desire and interest in percussion art exploration and promote the vigorous development of percussion art.
【学位授予单位】：中央音乐学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J625

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