布里顿《战争安魂曲》的创作技法研究
发布时间:2018-02-28 19:18
本文关键词: 安魂弥撒 套曲 边缘曲式 变体曲式 纵向复节拍 多调性 和声 复调 管弦乐手法 合唱写作 出处:《中央音乐学院》2005年硕士论文 论文类型:学位论文
【摘要】: 本杰明·布里顿(Benjamin Britten,1913-1976)是20世纪中叶英国最重要的作曲家之一。布里顿一生的创作几乎涵盖了所有的音乐体裁,包括歌剧、舞剧、管弦乐、协奏曲、合唱、独唱、室内乐、器乐独奏曲及大量的电影、戏剧和广播配乐。 本文通过选取布里顿一生创作中最重要的作品之一:为独唱女高音、男高音、男中音、混声合唱、童声合唱、管弦乐队、室内乐队及管风琴而作的《战争安魂曲》,通过对作品的曲式结构及其他创作技法的研究,以期人们进一步了解布里顿《战争安魂曲》的音乐创作。 论文由五章构成:第一章介绍布里顿的生平与创作分期。第二章简要介绍安魂弥撒的演进与发展。第三章介绍《战争安魂曲》的创作背景及乐队编制。第四、五章为本文的重点,其中第四章详细分析了作品每一乐章的曲式结构。在第五章中,从旋律特征、节奏节拍、特性音程及主题的贯穿、和声、复调手法及其运用、管弦乐手法及声乐写作特点诸方面较为详细地分析了这些方面的创作技法。从而认识到布里顿在作曲技法方面是传统基础上的继承与创新,并非是人们心中的“一个坚持调性写作的保守派作曲家”。结语中对布里顿创作上的特点进行归纳总结,并对其音乐风格提出了一些自己的观点和看法。从而得出:布里顿运用自己的音乐语言,形成自己独具特色、个性鲜明的音乐风格,在流派纷呈的二十世纪音乐中独树一帜。
[Abstract]:In the middle of 20th century, Benjamin Brittenton was one of the most important composers in England. In the middle of 20th century, Britten wrote almost all kinds of music, including opera, dance, orchestra, concerto, chorus, solo, chamber music. Instrumental solos and numerous film, drama and radio soundtracks. This paper selects one of the most important works in Brighton's life: solo soprano, tenor, baritone, mixed chorus, children's choral choral, orchestra, The Requiem of War by the Chamber Band and Organ, through the study of the musical structure and other creative techniques of the works, we hope that people can further understand the music creation of Brighton's Requiem of War. The thesis consists of five chapters: the first chapter introduces Britton's life and creative stages. The second chapter briefly introduces the evolution and development of the soul mass. The third chapter introduces the background of the Requiem of the War and the composition of the band. 4th, The five chapters are the focus of this paper, 4th of which analyze the structure of each movement in detail. In Chapter 5th, the rhythm, rhythm, interval and theme are introduced, harmony, polyphonic techniques and their application are also discussed in chapter 5th, which includes the following aspects: rhythm, rhythm, rhythm, rhythm, rhythm, rhythm, rhythm, rhythm, rhythm, rhythm, rhythm, rhythm, rhythm, rhythm and rhythm. The orchestral techniques and vocal writing characteristics are analyzed in detail, so as to realize that Brighton inherits and innovates on the basis of tradition in composing techniques. It's not "a conservative composer who insists on tonality writing". The conclusion sums up Brighton's creative characteristics. The author puts forward some views on his musical style and concludes that Brighton, using his own musical language, forms his own unique and distinctive musical style, which is unique in the genre of music in 20th century.
【学位授予单位】:中央音乐学院
【学位级别】:硕士
【学位授予年份】:2005
【分类号】:J614
【参考文献】
相关期刊论文 前2条
1 李刚;里姆斯基-科萨科夫交响组曲《舍赫拉查达》的管弦乐持续音技法[J];黄钟-武汉音乐学院学报;2003年02期
2 罗晓东;和平的呼唤——试论布里顿《战争安魂曲》的和平主义思想[J];中央音乐学院学报;2003年03期
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