祖宾斯基两部《帕蒂塔》研究兼谈其演奏技术

发布时间：2018-03-04 12:32

本文选题：帕蒂塔　切入点：爵士乐　出处：《山东师范大学》2006年硕士论文　论文类型：学位论文

【摘要】：弗拉季米尔·祖宾斯基是当今国际著名的作曲家、巴扬演奏家和教育家,其创作的作品涉及歌剧、舞剧、交响乐、室内乐及器乐独奏等众多体裁。其中,他为手风琴所创作的大量优秀作品在世界手风琴界中占据着十分重要的地位。作为一位非常优秀的手风琴作曲家,祖宾斯基所创作的作品内涵深刻,手法娴熟、新颖,其知名作品包括:两首奏鸣曲、三组儿童组曲以及两首帕蒂塔等。其中,作为他所创作的巴扬作品的代表作,他的两首帕蒂塔——《第一帕蒂塔——爵士印象》(1978年)和《第二帕蒂塔——爵士帕蒂塔》(1990年)以其优美的旋律、令人惊叹的技巧和新颖的音乐元素成为近年来在国际国内大型比赛中经常能够听到的作品,具有较大的研究价值。本文主要以音乐本体分析为主线,对祖宾斯基的这两首帕蒂塔进行深入细致的研究,由此归纳出这两首作品的创作特征、音乐风格以及创作手法,并对作品中所涉及的演奏技法做出相应提示。本文的第一章简要介绍了爵士乐发展史、爵士乐音乐理论、帕蒂塔这种音乐体裁的历史沿革以及作曲家的概况等背景性资料。第二章主要是对《第一帕蒂塔——爵士印象》所包括的五个乐章——序曲、托卡塔、咏叹调、无穷动和尾声——进行较为细致的音乐本体分析,在此基础上对于作品中所运用的传统音乐体裁、爵士音乐元素等创作特点作出总结,并对其演奏技法做出提示。第三章沿用第二章的模式对《第二帕蒂塔——爵士帕蒂塔》所包含的三个乐章——小快板、行板和急板——进行音乐分析研究,并由此归纳作品所蕴含的爵士乐特征、巴扬化特性等创作特点,并简要说明作品中所使用的演奏技法。第四章是在第二章和第三章分析研究的基础上对两首帕蒂塔进行对比,并对其创作共性和特性进行比较和总结,阐明两首作品自身所蕴含的音乐价值。
[Abstract]:Vladimir Zubinski is today's world-renowned composer, Bayan performer and educator. His works cover operas, dance plays, symphonies, chamber music, instrumental solos, and many other genres. As a very good accordion composer, Zubinsky's works are profound, skillful and novel. His famous works include: two sonatas, three sets of children's suites and two Patita. His two Patita, "the first Patita Sir impression" (1978) and "the second Patta-Sir Patita" (1990), have a beautiful melody, Amazing techniques and novel musical elements have become the works which can often be heard in international and domestic large-scale competitions in recent years, and have great research value. This article mainly takes the music ontology analysis as the main line, carries on the thorough careful research to the Zubinsky's two Patita, thus induces the creation characteristic, the music style and the creation technique of the two works. And the performance techniques involved in the works to make a corresponding hint. The first chapter briefly introduces the history of jazz, the theory of jazz music, The historical evolution of the genre of Patita and the general situation of the composer, etc. The second chapter mainly deals with the five pieces of prelude, Tokata, arias, and so on, which are included in the first Patita Jazz impression. Infinitely moving and ending-carries on the more detailed music Noumenon analysis, on this basis to use in the work the traditional music genre, the jazz music element and so on the creation characteristic makes the summary, The third chapter uses the model of the second chapter to analyze and study the three movements of "the second Patita-Sir Patita"-Allegro, Allegro, and Allegro. Based on this, the author summarizes the characteristics of jazz, Bayanization and other creative features, and briefly explains the performing techniques used in the works. Chapter 4th compares the two Patita on the basis of the analysis and research in the second and third chapters. In addition, the author compares and summarizes the generality and characteristics of his creation, and clarifies the musical value of the two works themselves.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J624.3

【引证文献】