论电子时代音乐传播的机制与理念
发布时间:2018-03-07 21:20
本文选题:电子 切入点:时代 出处:《武汉音乐学院》2006年硕士论文 论文类型:学位论文
【摘要】: 本文主要研究电子时代音乐传播的手段、方式、方法以及在这种传播形态下呈现出的音乐特性,并且从审美的角度来剖析大众的音乐审美取向及音乐的功能与价值等问题。文章由引论、本论、结论三部分组成。引论部分主要包括对电子时代音乐传播研究现状的综述,对研究目的、方法、范围的介绍等内容。以往对于电子时代的音乐传播的研究,大多只是侧重某一方面来分析,或媒介研究或审美考察,因此,笔者在前人研究的基础上,对电子时代的音乐传播从机制、特性、理念三个方面进行统一考察,并且根据音乐呈现出的这些现象,提出自己的一些观点和看法。 本论第一章为“电子时代音乐传播的机制”。本章主要结合电子传媒发展的历史过程,根据不同媒介的传播机制,进而分析它们各自的特点。并且,将现代电子传播与传统口头传播相比较,剖析在不同时代的传播机制下,所产生的不同的传播模式与效果。 本论第二章为“电子时代音乐传播的特性”。文章结合有关数据统计资料以及现今音乐现象,深入分析电子时代音乐的商业属性、批量化生产的产品结构以及瞬间传递音乐的传播方式,并针对这些现象提出了自己的观点和看法。 本论第三章为“电子时代音乐传播的理念”。笔者结合第二章的研究结果,从音乐的特性中洞察大众的音乐审美取向,并且对音乐传播者们深入研究,分析他们对音乐的认识与理解,他们采用怎样的传播方法,按照怎样的原则,达到怎样的目的以及所产生的后果与影响。最后,笔者提出应以乐观、积极地态度去面对电子传播媒介为音乐带来的利与弊。结论部分为本文的研究价值及意义。
[Abstract]:This paper mainly studies the means, methods, methods and musical characteristics of music communication in the electronic age. The article is composed of three parts: introduction, theory and conclusion. The introduction mainly includes a summary of the current situation of music communication in the electronic age. For the purpose, method and scope of the study, most of the previous studies on music communication in the electronic age only focused on one aspect of the analysis, or media research or aesthetic investigation, therefore, the author based on previous studies, This paper makes a unified investigation of the music communication in the electronic age from three aspects: mechanism, characteristic and idea, and puts forward some viewpoints and opinions according to these phenomena of music. The first chapter of this thesis is "the Mechanism of Music Communication in the Electronic Age." this chapter mainly combines the historical process of the development of electronic media, according to the communication mechanism of different media, and then analyzes their respective characteristics. By comparing modern electronic communication with traditional oral communication, this paper analyzes the different modes and effects of communication in different times. The second chapter of this thesis is "the characteristics of music communication in the electronic age". This paper analyzes the commercial attributes of music in the electronic age by combining the relevant statistical data and the current music phenomenon. The product structure of mass production and the transmission mode of instant music are presented, and their own views and opinions are put forward in the light of these phenomena. The third chapter of this thesis is "the idea of music communication in the electronic age". Based on the research results of the second chapter, the author explores the aesthetic orientation of music from the characteristics of music, and deeply studies the music communicators. The author analyzes their understanding and understanding of music, how they spread it, what principles they adopt, what purpose they achieve and the consequences and effects they have. Finally, the author puts forward that they should be optimistic. Positive attitude to face the advantages and disadvantages of electronic media for music. The conclusion is the value and significance of this paper.
【学位授予单位】:武汉音乐学院
【学位级别】:硕士
【学位授予年份】:2006
【分类号】:J60-05
【引证文献】
相关硕士学位论文 前2条
1 田宏燕;二十世纪中国音乐传媒技术[D];山西大学;2011年
2 龙梅;全球化背景下蒙古民族音乐的传播[D];内蒙古大学;2013年
,本文编号:1580998
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