从审美心理角度论电影音乐三个功能及表现特征

发布时间：2018-03-08 08:17

本文选题：电影音乐　切入点：审美心理　出处：《首都师范大学》2005年硕士论文　论文类型：学位论文

【摘要】：本文从审美主体的角度,通过综合运用科学实证与理论思辩的研究方法,探讨电影音乐的抒情、渲染和描绘三种功能及其独特的表现特征。科学实证主要是采取心理实验的方式,进行定量分析研究。研究以经过选择的电影音乐和电影画面为自变量,以被试审美接受心理的变化为因变量,分别测查其在情感体验、气氛感知和表象形成等方面的心理感受及其过程,并以此为依据,探讨电影音乐的抒情、渲染和描绘功能及其表现特征。实验选取北京语言文化大学、中国农业大学和北京科技大学三所高校共90名大学生为被试,做了三组不同的心理测试并对部分被试进行访谈。实验表明: 研究一结果显示: 1、电影音乐能够准确地抒发剧中人物的感情,有音乐的电影比没有音乐的电影更能加深和强化审美主体的情感体验。2、音乐呈现次数与审美主体对电影的态度体验有较强的相关性,恰当的音乐呈现次数对审美主体理解电影情感有促进作用。3、电影音乐在电影特定情感的抒发和表达上比电影画面本身更为深刻和有效。研究二结果显示: 1、电影音乐对于渲染气氛有着显著的场效应。2、音乐对紧张、恐怖气氛的渲染比对抒情气氛的渲染更易使审美主体察觉。研究三结果显示: 1、电影音乐具有很强的描绘功能。2、电影音乐的描绘功能与电影视觉感受高度相关,具有明确的指向性。3、单独欣赏电影音乐能够引发清晰的电影视觉表象。本文在以上心理实验、心理访谈以及对电影音乐与非电影音乐进行比较分析的基础上,从审美主体接受心理的角度,对电影音乐的三个功能及其表现特征进行了探讨。经过分析研究,得出结论,电影内容和整体性决定着电影音乐的功能及其表现特征,音乐在遵循电影整体结构的原则基础上,可通过与电影画面的紧密结合来展现其艺术功能和视听艺术魅力。本文概括出电影音乐三种功能的表现特征,抒情功能具有指向性、非连贯性、交互感染性特征;渲染功能具有情景性、
[Abstract]:From the point of view of aesthetic subject, this paper discusses the lyricism of film music through the comprehensive use of scientific empirical and theoretical research methods. Rendering and depicting the three functions and their unique performance characteristics. Scientific and empirical research mainly adopts psychological experiments to carry out quantitative analysis. The research takes the selected film music and film picture as independent variables. Taking the changes of the subjects' aesthetic acceptance psychology as dependent variables, the psychological feelings and their processes in the aspects of emotional experience, atmosphere perception and appearance formation were measured respectively, and the lyricism of film music was discussed on the basis of this. The experiment selected 90 college students from Beijing language and Culture University, China Agricultural University and Beijing University of Science and Technology as subjects. Three groups of different psychological tests were conducted and some of the subjects were interviewed. The results of the study show that:. 1. Film music can accurately express the feelings of the characters in the play. The film with music can deepen and strengthen the emotional experience of the aesthetic subject than the film without music, and the number of times of music presentation has a strong correlation with the attitude experience of the aesthetic subject to the film. The appropriate number of times of musical presentation can promote the aesthetic subject's understanding of film emotion. Film music is more profound and effective than the film itself in the expression and expression of the specific emotion of the film. The second study shows that:. 1. Film music has a significant field effect on rendering atmosphere. Music plays a more obvious role in tension and terror than in lyrical atmosphere. The results of the study show that:. 1. Film music has a very strong depiction function. 2. The depiction function of film music is highly related to the visual feeling of the film, and has a clear directivity. On the basis of the above psychological experiments, psychological interviews and comparative analysis of film music and non-film music, from the perspective of aesthetic subject reception psychology, This paper probes into the three functions and their performance characteristics of film music. Through the analysis and study, it is concluded that the content and integrity of the film determine the function and performance of film music, and that the music follows the principle of the overall structure of the film. We can show its artistic function and audiovisual artistic charm through the close combination with the film picture. This paper generalizes the performance characteristics of the three functions of film music, the lyric function has the characteristics of directionality, discontinuity and mutual infective. Rendering features are contextual,
【学位授予单位】：首都师范大学
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：J617

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