当代民族声乐开放、拓展与跨界初探

发布时间：2018-03-11 07:37

本文选题：当代民族声乐　切入点：开放　出处：《湖南师范大学》2006年硕士论文　论文类型：学位论文

【摘要】： 时至21世纪，当代民族声乐取得了相当的进步与可喜的成绩。突出表现为在融会了美声唱法发声方法后，其发声和演唱技法的科学性得到了进一步的提升。从而大大增强了对作品驾驭与表现能力，也涌现了大量优秀的民族声乐人才。但是同时关于民族声乐是要方法还是要风格的争论屡见不鲜，媒体与大：众更是针对目前民族声乐“千人一腔、万人一调”的现象提出了批判和质疑。本文从理论上传达了一种对当代民族声乐发展的类似宏观调控的理念，试图唤起民族声乐行业有志之士对本行业的一种责任感。即我们必须承认“一花独放”的民族声乐绝不应该成为中国民族声乐学派这一概念内涵的现实。我们应该努力探寻和倡导中国民族声乐多元发展，使其在实践中不断发展、演变乃至进化，从而产生多元的民族声乐风格和流派，乃至建立完整而健全的中国民族声乐理论、实践和教学体系。在实践上，本文以“开放、拓展、跨界”三大章节的形式，，层层递进，论述了当代民族声乐应该如何放开思维；如何拓展发展路子，既努力继承传统声乐形式又借鉴流行的表达方式；以及如何与传统与流行相融合，进而得到创新和突破，达到一个新的高度。在提出如何教与学的具体做法外，还提出不能忽略市场和大众的需要，倡导民族声乐教学、表演与市场的良性互动，呼吁媒体的接纳性支持与帮助，从而真正意义上地促进当代民族声乐的规范化、特色化发展。关于民族声乐的发展，这是一个宏观的概念，既需要媒体和社会引起相当的重视，也需要从当今的音乐院校民族声乐专业设置方面寻找突破，从具体的教与学中做起，不仅要拿出成熟而可行的方案，更需要整个民族声乐领域，需要广大文艺工作者为之努力实践，只有这样中国民族声乐才能真正地实现“民族的就是世界的”。
[Abstract]:From then to 21th century, the contemporary national vocal music has made considerable progress and gratifying achievements. The scientific nature of its vocalization and singing techniques has been further enhanced, thus greatly enhancing its ability to control and express its works. A large number of outstanding national vocal music talents have also emerged. But at the same time, there is a common debate about whether the national vocal music should be used as a method or style. The media and the big: the masses are even more focused on the current national vocal music. The phenomenon of "one tune of ten thousand people" is criticized and questioned. This paper theoretically conveys a kind of similar macro-control idea to the development of contemporary national vocal music. Trying to arouse a sense of responsibility to the people with lofty aspirations in the national vocal music industry. That is, we must admit that the national vocal music with "one flower and one flower" should never become the reality of the connotation of the concept of Chinese national vocal music school. This effort seeks and advocates the pluralistic development of Chinese national vocal music, It develops, evolves and even evolves in practice, so as to produce diversified national vocal music styles and schools, and even to establish a complete and sound Chinese national vocal music theory, practice and teaching system. In practice, this paper, in the form of three chapters: "opening up, expanding and crossing the border", discusses how the contemporary national vocal music should open up its thinking, how to expand the way of development, It not only inherits the traditional vocal music form but also draws lessons from the popular expression; and how to merge with the tradition and the pop, and then get the innovation and breakthrough, reach a new height. In addition to how to teach and learn the concrete method, We should not ignore the needs of the market and the public, advocate the benign interaction between the national vocal music teaching, the performance and the market, and appeal for the acceptance support and help of the media, so as to promote the standardization and characteristic development of the contemporary national vocal music in a real sense. As for the development of national vocal music, this is a macro concept that requires considerable attention from the media and society, as well as a breakthrough in the setting up of national vocal music majors in today's music academies, starting with concrete teaching and learning. It is not only necessary to come up with a mature and feasible plan, but also the whole field of national vocal music, and the broad masses of literary and art workers should work hard to practice it. Only in this way can the Chinese national vocal music truly realize that "the nation is the world".
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J616.2

【引证文献】