论19世纪末20世纪初欧洲历史文化语境下的印象主义音乐

发布时间：2018-03-11 22:06

本文选题：19世纪末20世纪初　切入点：印象主义　出处：《湖南师范大学》2006年硕士论文　论文类型：学位论文

【摘要】：如同在科学上一样,十九世纪末二十世纪初在艺术上是一个伟大的时代。其时印象主义音乐的发展,可以说是一个在整个西方音乐史中占有显赫地位的重要时期,也是一个从其音乐形态、人文内容等方面来看发生重要革新、变化的时期,在此期间,音乐与其它人文学科之间的融合也达到了一个较高的程度,它们之间互相借鉴、渗透、发展,一起构成了当时丰富多彩、光辉灿烂的文化景象,顺应了时代的发展。关于音乐其自身发展的研究,以及怎样将西方音乐的发展,置于一个历史、社会、全文化的背景当中去探讨,是我们所关注的,本文拟从多元化的研究视角出发,并将立足于当时的社会、时代,探讨印象主义音乐与当时其他艺术门类、文艺思潮所发生的共振,并将艺术作为第一坐标,来解读世纪之交的印象主义音乐(主要集中于德彪西的音乐),的确是一场必然的伟大的变革。将十九世纪印象主义音乐的发展置于一个较开放的视野当中来考察,以及抛开一些文化上的局限去看待音乐自身的演变过程,这也将有助于我们更好地获取音乐中的某种文化信息,更好地去理解其中所折射的社会生活和人文价值。
[Abstract]:As in science, the end of 19th century and the beginning of 20th century were a great time in art. At that time, the development of Impressionist music could be said to be an important period in the history of western music. It is also a period of important innovation and change in terms of its musical form and humanistic content. During this period, the fusion between music and other humanities disciplines has also reached a relatively high degree. They have drawn lessons from each other and infiltrated each other. Development, together with the rich and colorful, brilliant cultural scene, in line with the development of the times. The research on the development of music itself and how to put the development of western music in a historical, social and cultural background is our concern. And will be based on the society at that time, the times, to explore the Impressionist music and other categories of art, literary trends of thought occurred in the resonance, and art as the first coordinate, To interpret the Impressionist music at the turn of the century (mainly focused on Debussy's music is indeed an inevitable great change.) put the development of Impressionist music in 19th century in a more open field of vision. It is also helpful for us to get some cultural information and to understand the social life and humanistic value reflected in it.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J609.5

【引证文献】