广西博白客家信仰仪式“斩大幡”音乐研究

发布时间：2018-03-13 03:25

本文选题：博白客家　切入点：民间信仰　出处：《陕西师范大学》2014年硕士论文　论文类型：学位论文

【摘要】：“斩大幡”是广西博白客家的民间信仰仪式,人在遭遇生活困境时为转换命运而作的集体祈福仪式,其信仰体系隶属于宗教信仰与民间信仰结合的多元体。仪式由一个特殊的群体——道公来执行,仪式的始末均由音声所覆盖,音声的形式多样,肢体动作丰富,音乐特点鲜明,文化底蕴深厚,是我国仪式音乐中独具特色的组成部分。本文在实地田野调查的基础上,对“斩大幡”的仪式生存背景与仪式构成有了大致的掌握,并从文化及音乐本体的角度出发对仪式中的歌调进行了详尽的分析。本文结合了“信仰——仪式——音声”三元结构模式理论,试图寻找“当地信仰——斩大幡仪式——斩大幡仪式中的音声”三者之间的关系。本文共五个章节构成：第一章“生存背景”本章介绍了“斩大幡”仪式所在地的自然地理环境、民系渊源以及文化生态,着重介绍了与仪式联系最为紧密的当地信仰体系。第二章“执仪人与仪式”本章将当地的道公和道公所参加的仪式进行着重介绍,包括道公的成长、职能以及仪式的种类、内容。第三章“斩大幡仪式之概貌”本章运用描述与分析的方式,将“斩大幡”仪式的信仰体系、仪式所在场地、仪式参与者、仪式用具的形态一一呈现出来,并以实录的形式将仪式重现于文章中。第四章“仪式歌调形态分析”本章对“斩大幡”仪式中歌调进行词曲结构、旋法特征、调式音列、节奏律动等多方面的分析并对器乐部分做简单陈述。第五章“斩大幡”仪式的功能与内涵”本章对“斩大幡”仪式内涵以及象征符号进行论述与解释,并将其功能予以分类且论述。
[Abstract]:"chopping the banner" is the folk belief ceremony of the Hakka people in Bobai, Guangxi. When people encounter difficulties in life, they pray collectively for the purpose of changing their destinies. Its belief system belongs to the pluralistic body of the combination of religious belief and folk belief. The ritual is carried out by a special group-the Taoist public. The ceremony is all covered by the sound, the forms of the sound are various, the body movements are rich, and the music features are bright. The cultural background is profound, is our country ritual music has the characteristic constituent. On the basis of field investigation, this paper has a general understanding of the living background and ritual composition of the ritual of "chopping the big banners". From the point of view of culture and music ontology, this paper makes a detailed analysis of the tune of songs in ritual. This paper combines the theory of "belief-rituality-sound" ternary structure pattern, This paper tries to find out the relationship between the local faith and the sound in the ceremony. This paper consists of five chapters:. The first chapter "Survival background" this chapter introduces the natural geographical environment, ethnic origin and cultural ecology of the site of the ceremony, with emphasis on the local belief system, which is most closely related to the ceremony. In the second chapter, the author introduces the ceremony attended by the local Taoist and Taoist officials, including the growth, function, types and contents of the ceremony. Chapter three, "A general picture of the chopping ceremony," this chapter, by means of description and analysis, presents the belief system, the venue, the participants, and the form of the ritual utensils of the ceremony. The ceremony is reproduced in the text in the form of an actual record. Chapter 4th, "Analysis of the Morphology of ritual songs," this chapter makes a brief statement of the instrumental music in this chapter, including the structure of ci and music, the characteristics of rotation, the tone series, rhythm and rhythm. This chapter discusses and explains the meaning and symbol of the ceremony, and classifies and discusses its function.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J607

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