南北筝派的左手技法风格的比较研究及文化阐释

发布时间：2018-03-14 23:36

本文选题：左手技法　切入点：演奏技法　出处：《人民音乐》2011年11期 　论文类型：期刊论文

【摘要】：正传统筝曲的演奏,左手主要采用按、滑、揉、颤等技法对右手通过托、劈、勾、抹等技法弹奏出的旋律进行色彩性润饰和功能性润饰。色彩性润饰通过左手的按、滑、揉、颤等技法增强旋律的地方风格与韵味,不构成移调、转调。功能性润饰则
[Abstract]:In traditional Zheng performance, the left hand mainly uses the techniques of pressing, sliding, rubbing, shaking, etc., to carry on the color retouching and functional retouching of the melody played by the right hand through the techniques of support, wedge, hook, wipe, etc. The color retouchment is carried out by the press, slide, and rub of the left hand. Techniques such as tremor enhance the local style and flavor of the melody and do not constitute a shift or change of tune. Functional retouchment
【作者单位】：铜陵学院文学与艺术传媒系;铜陵市淮河路小学;
【基金】：安徽省哲学社会科学规划项目(AHSK09—10D192)
【分类号】：J632.32

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