《丁善德晚期钢琴作品研究》

发布时间：2018-03-17 06:19

本文选题：丁善德　切入点：晚期钢琴作品　出处：《江西师范大学》2005年硕士论文　论文类型：学位论文

【摘要】：丁善德,20世纪中国乐坛最具代表性和影响力的第二代作曲家、钢琴家、教育家、理论家及活动家之一。他对中国近现代音乐的形式发展和内容深化都起到了积极的推动作用。众所周知,丁善德先生是一位从演奏型转向音乐创作型的作曲家,在近半个世纪的创作生涯中,先生涉猎到了多种音乐体裁,但先生更偏爱钢琴音乐作品。在他有编号的36部音乐作品中,钢琴音乐,从1945年写的《春之旅组曲》(op.1)到1992年写的《中国民歌钢琴三曲》(op.36),就占了18部。在钢琴音乐创作中,他即注重西方的作曲理论,又吸收了中国的民族音乐因素,创作出了不少杰出的钢琴音乐作品,大大丰富了中国钢琴音乐文献。并且对其他的作曲家也产生了积极的影响。如罗忠昒、陈铭志等一批作曲家就吸取了其创作精华。虽然,国内音乐学界对丁善德的音乐创作予以了高度的重视,以钢琴作品为例。在研究过程中,人们对其四、五十年代的钢琴音乐作品研究的较为细致。然而对丁先生创作后期(即八十年代后)的钢琴音乐研究的不够明确。从1983年到1992年这段时间属于丁老先生的创作晚期,在作品中运用了泛调性和自由十二音技法。但是研究中对其晚期作品只是泛泛而谈,尚未从作品的艺术价值和美学价值的角度对丁善德后期的钢琴音乐作品予以全面考察,因而本人认为有必要进一步深入探讨丁善德晚期钢琴音乐的创作手法及对中国近现代钢琴音乐的影响。鉴于以上情况,笔者在导师的建议下将丁善德的钢琴音乐创作作为论文的研究课题,站在前人研究的基础上,笔者遂将研究重点放在丁善德晚期钢琴音乐作品上,就其发展脉络、创作手法、音乐风格及对中国钢琴音乐的发展所产生的深远影响——加以阐述
[Abstract]:Ding Shande, the most representative and influential second generation composer, pianist and educator of Chinese music in the 20th century, One of the theorists and activists. He has played a positive role in the development and deepening of the form and content of modern Chinese music. As we all know, Mr. Ding Shande is a composer who has changed from playing to creating music. In his nearly half century of writing, he has dabbled in a variety of musical genres, but he prefers piano music. Of his 36 numbered pieces, piano music. From 1945 to 1992, he wrote "Chinese Folk Song Piano three songs" and "Chinese Folk Song Piano three", which accounted for 18. In piano music creation, he not only paid attention to western composing theory, but also absorbed Chinese folk music factors. He has created many outstanding piano music works, greatly enriched the Chinese piano music literature, and has also had a positive impact on other composers. For example, a group of composers such as Luo Zhonghui and Chen Mingzhi have absorbed the essence of their works. Although, The domestic music circles have attached great importance to Ding Shande's music creation, taking piano works as an example. In the course of the research, people pay more attention to Ding Shande's music creation. The study of piano music works in 50s was more detailed. However, the research on piano music in the later stage of Mr. Ding's creation (that is, after 50s) was not clear enough. From 1983 to 1992, this period belonged to the late period of Mr. Ding's creation. The pan-tonality and free 12 tone techniques have been used in the works. However, the late works of Ding Shande have not been comprehensively investigated from the angle of artistic value and aesthetic value of his works. Therefore, I think it is necessary to further explore the creative techniques of Ding Shande's late piano music and its influence on modern Chinese piano music. In view of the above situation, the author made Ding Shande's piano music creation as the research subject of the thesis under the advice of his tutor. On the basis of the previous studies, the author then focused on Ding Shande's late piano music works. This paper expounds the development of piano music in China, including its development context, creative techniques, musical style and its far-reaching influence on the development of Chinese piano music.
【学位授予单位】：江西师范大学
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：J624.1

【引证文献】