“照着讲”与“接着讲”——中国音乐美学史学科面临的问题与前瞻

发布时间：2018-03-17 14:20

本文选题：后蔡仲德时代　切入点：中国音乐美学史　出处：《南京艺术学院学报(音乐与表演)》2015年04期 　论文类型：期刊论文

【摘要】：本文为中国音乐美学学会成立30周年、蔡仲德《中国音乐美学》(1995年)出版20周年之际而作。认为,依据年会的议题,很有必要对中国音乐美学史学科在当下所面临的种种问题进行归纳总结与认真的检讨。文章从"后蔡仲德时代中国音乐美学史学科建设问题";"‘照着讲’:传承蔡仲德现有成果的作用及其意义";"‘接着讲’:中国音乐美学史教学与研究的拓展与前瞻"等三个方面谈谈自己的认知与心得,以此求证于方家,并与诸位同仁共勉。
[Abstract]:This paper is devoted to the 30th anniversary of the founding of the Chinese Society of Musical Aesthetics and the 20th anniversary of Cai Zhongde's "Chinese Music Aesthetics" (1995). It is necessary to sum up and seriously review the problems facing the subject of Chinese music and aesthetic history in the present time. The article begins with "the construction of the discipline of Chinese music aesthetics in the post-Cai Zhongde era". The function and significance of the present achievements of Germany ";'go on and talk about: the Development and Prospect of the Teaching and Research of the History of Chinese Music Aesthetics" and talk about their own cognition and experience. In this way to verify the Fangjia, and with your colleagues to encourage.
【作者单位】：西安音乐学院音乐学系;
【分类号】：J601

【参考文献】