辽宁地区音乐图像遗存的音乐学研究

发布时间：2018-03-26 22:00

本文选题：辽宁地区　切入点：音乐图像遗存　出处：《沈阳音乐学院》2014年硕士论文

【摘要】：本文的研究对象是今辽宁省行政区划内汉至清代的音乐图像遗存。所属领域为音乐学——中国古代音乐史暨音乐考古学范畴。本文共涉及音乐图像遗存87件，其中汉代4件；唐代18件；辽代30件；金代1件；元代2件；明代10件；清代22件，其中汉、唐、辽、金、元时期的音乐遗存几乎均系出土实物，而明、清两个时期均为传世品。本文按时代的特点将这些音乐图像分为三个阶段，即汉唐时期、辽金元时期和明清时期，并对各个阶段的音乐图像分别予以进一步研究。首先，本文对音乐图像遗存所在墓葬概况予以梳理，，通过这些墓葬的形制可大概看出墓葬所在地区的所属文化；而后，按音乐形态对这些音乐图像进行分类，并进行音乐考古学视角的解读与梳理；最后，对音乐图像中所显现的音乐形态予以进一步研究，并结合他地同时期音乐图像进行对比研究，力求总结辽宁地区古代音乐文化的地域特点，及与他地相应时代和文化间的源流及主属关系源流关系。
[Abstract]:The object of this paper is the remains of music images from Han to Qing dynasties in the administrative divisions of Liaoning Province. It belongs to the field of musicology-the history of ancient Chinese music and the archaeology of music. There are 87 pieces of music images in this paper, including 4 pieces in the Han Dynasty. 18 pieces in Tang Dynasty; 30 pieces in Liao Dynasty; 1 piece in Jin Dynasty; 2 pieces in Yuan Dynasty; 10 pieces in Ming Dynasty; 22 pieces in Qing Dynasty, of which almost all the music remains of Han, Tang, Liao, Jin and Yuan dynasties are unearthed. According to the characteristics of the times, the music images are divided into three stages: Han and Tang dynasties, Liao, Jin and Yuan dynasties and Ming and Qing dynasties. This article combs the general situation of the tombs where the music images remain, and through the shape of these tombs, we can probably see the culture of the region where the tombs are located, and then classify these music images according to the music form. At last, the author makes a further study on the music appearance in the music image, and makes a comparative study on the music image of the same period. This paper tries to summarize the regional characteristics of the ancient music culture in Liaoning and the relationship between the origin and the relationship between the culture and the corresponding times and cultures.
【学位授予单位】：沈阳音乐学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J609.2

【参考文献】