西周用乐状况及相关美学问题

发布时间：2018-03-27 21:48

本文选题：西周　切入点：音乐　出处：《求是学刊》2011年05期

【摘要】：西周是中国礼乐文明的奠基期,也是诗、礼、乐对中国社会开始形成全面影响的时期。音乐不仅涉及贵族日常生活的方方面面,而且是国家大型典礼活动必不可少的组成。从专业乐工、贵族子弟到国家统治者,一条音乐从技术到德性、再到政治性隐喻的不断递升和放大之路已初步呈现。礼乐并举,表现在现实层面上的以礼节乐,最终则表现为乐对礼的融会和超越。所谓西周礼乐政治,是以诗、礼、乐作为隐喻或象征的政治。诗、礼、乐又确实以其真实的形式贯穿于政治活动中,既作为政治的隐喻,又是具体的政治实践手段。诗、乐、舞的层级关系将人的审美经验带入了超越之境;音乐与政治的密切关联则赋予了政治审美韵致,开了后世中国诗性政治的滥觞。
[Abstract]:The Western Zhou Dynasty was the founding period of Chinese ritual and music civilization, and it was also the period when poetry, ceremony and music began to form a comprehensive influence on Chinese society. Music not only involves all aspects of aristocrats' daily life. And it is an indispensable part of the state's large-scale ceremonial activities. From professional musicians, aristocratic children to the rulers of the country, a path of music from technology to virtue, and then to the continuous escalation and amplification of political metaphors has been preliminarily presented. On the realistic level, the politeness of music is the fusion and transcendence of the salutation of music. The so-called politics of etiquette and music in the Western Zhou Dynasty is the politics in which poetry, ritual and music are used as metaphors or symbols. Music indeed runs through political activities in its true form, both as a political metaphor and as a concrete means of political practice. The hierarchical relationships among poetry, music and dance bring people's aesthetic experience into transcendental territory. The close relationship between music and politics endows the aesthetic charm of politics and opens the origin of Chinese poetical politics in later generations.
【作者单位】：北京师范大学价值与文化中心;
【基金】：中央高校基本科研业务费专项资金资助项目
【分类号】：J601

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