浅析桑桐《内蒙古民歌主题小曲七首》

发布时间：2018-03-29 19:35

本文选题：桑桐　切入点：内蒙古民歌主题小曲七首　出处：《首都师范大学》2006年硕士论文

【摘要】：本文主要通过对桑桐先生在五十年代创作的《内蒙古民歌主题小曲七首》的具体分析来探究桑桐先生在中国民族风格钢琴作品创作上的写作手法和创新精神。从1709年展出第一架钢琴至今，这一键盘乐器已经发展了近三百年。这三百年间，西方各个时期的音乐大师们为这一乐器写出了浩瀚的优秀作品，成为人类文明的宝贵遗产。清朝中叶以后，钢琴作为外国的贡品送进中国的朝廷，并于清朝末期与中国“废科举、兴学堂”的文化教育改革联系起来之后，当它随着中围的以“学堂乐歌”为标志的新型学校音乐教育联系在一起，并作为群众文化生活中的一个有机组成部分之后，开始被广大中国人民(特别是青年知识分子)所认识、所接受、所喜爱。钢琴这一外来乐器在中国发展到今天，我国的音乐家们不仅努力的掌握西方音乐大师的优秀作品，同时为这一乐器创作了大量的、具有中国民族风格的音乐作品。本文选了桑桐先生的《内蒙古民歌主题小曲七首》进行分析，来探究桑桐先生在中国民族风格钢琴作品创作中的特点。桑桐先生是一位卓越的作曲家、音乐理论家和音乐教育家。《内蒙古民歌主题小曲七首》是桑桐先生钢琴曲中的一首重要作品，于1957年作为第六届国际青年联欢节的参赛作品获得了创作铜奖。这套组曲在中国民歌配置和声语言、和声变奏、和声织体的多样化以及用最精炼的手段取得完美的效果方面，都作了有益的尝试。本文从这首作品的曲式结构、主题乐
[Abstract]:Through the concrete analysis of "Inner Mongolia Folk songs" by Mr. Sang Tong in the fifties, this paper probes into the writing technique and innovative spirit of Mr. Sang Tong in the creation of piano works of Chinese national style. Since the first piano was exhibited in 1709, the keyboard instrument has been developed for nearly 300 years. During these 300 years, the music masters of various periods in the West have written a great deal of excellent works for this instrument, which has become a precious heritage of human civilization. After the middle of the Qing Dynasty, the piano was sent to the imperial court of China as a tribute of foreign countries, and was connected with the cultural and educational reform of "abolishing imperial examinations and prospering schools" in the late Qing Dynasty. When it was linked with the new school music education symbolized by "school songs" in Zhongwei, and as an integral part of the cultural life of the masses, Began to be recognized, accepted and loved by the broad masses of Chinese people (especially young intellectuals). Piano, a foreign musical instrument, has developed in China today, and musicians in our country have not only tried their best to master the outstanding works of western masters of music, At the same time, a large number of musical works with Chinese national style have been created for this instrument. To explore the characteristics of Mr. Sang Tong in the creation of Chinese national style piano works. Sang Tong is an outstanding composer, music theorist and music educationalist. "Seven Folk songs in Inner Mongolia" is one of the important works of Mr. Sang Tong's piano music. In 1957, as the sixth International Youth Festival, the entries won the bronze prize for creation. This set of suites has achieved perfect results in the allocation of harmony language, harmony variation, variety of harmony texture and the most refined means in Chinese folk songs. This article is based on the musical structure of this work, the theme of music.
【学位授予单位】：首都师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J614.5

【引证文献】