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流行音乐演唱会的审美文化透视

发布时间:2018-03-31 18:31

  本文选题:流行音乐 切入点:流行音乐演唱会 出处:《山东师范大学》2006年硕士论文


【摘要】: 流行音乐演唱会是当今社会重要的文化现象之一,拥有众多的欣赏者与巨大的影响力。作为有着充盈生命力的一种文化景观,流行音乐演唱会理应受到理论界的关注,然而,目前国内的研究成果并不多,而现有的某些成果,也还不够深入。其中,最突出的表现就是,对流行音乐的认识至今仍然比较模糊,对流行音乐本身的审美价值及其社会作用评价也还不够公允。这种学术研究的滞后性,直接影响了对流行音乐演唱会这一审美文化现象的深入研究。正是基于这种情况,本文试图从审美文化的角度,结合相关个案,对流行音乐会予以深入系统地探讨。 本文主要分为五个部分: 第一,流行音乐概述。主要辨析流行音乐的概念,考察流行音乐的历史,并阐述研究流行音乐演唱会的视角和方法。首先,对流行音乐的概念进行辨析,指出“流行音乐”不等于“流行的音乐”或“通俗的音乐”,流行音乐较为贴切的称呼应该是“大众音乐”,并进一步论述了流行音乐产生的前提和基础。在此基础上,指出流行音乐既是一种艺术形式,又是一种大众文化现象,因此,我们应该从美学与审美社会学的双重视角来切入,对流行音乐进行审视。其次,考察了流行音乐的历史,并介绍了流行音乐的类型。 第二,流行音乐演唱会的构成。论述了流行音乐演唱会的三种类型:一般流行音乐演唱会、摇滚音乐演唱会、前卫音乐演唱会,并分别阐述了其所独具的审美特征。一般流行音乐会,从广义上说,是相对于严肃音乐会而言的;狭义上的一般流行音乐演唱会,是指摇滚音乐演唱会、前卫音乐演唱会的前身,是音乐广场最直接的继承者,同时也促进了摇滚音乐演唱会、前卫音乐演唱会的发展与革新。摇滚音乐会是当代流行音乐会的代表类型。其特征是:用吉他、钢琴、鼓、萨克斯等乐器伴奏,演唱者音调奋亢喧闹,其乐句简单而不重复,节奏富有强烈的动力感。前卫音乐演唱会,它可以说是通俗与严肃的杂交,有三种情形,一是以用传统管弦乐队演奏流行音乐为特征的流行音乐会,二是以用电声乐队演奏传统音乐为特征的流行音乐会,三是以用前两种混合的乐队演奏复合风格的音乐为特征的流行音乐会。混合实际上造成混杂的拼盘,从而显现了后现代的特征。 第三,流行音乐演唱会的审美特征。主要从行为、形态、观念三个方面,分析探讨了流行音乐演唱会的审美特征。观念方面,流行音乐会和其他音乐会都有
[Abstract]:Pop music concert is one of the most important cultural phenomena in today's society, it has many appreciators and great influence. As a kind of cultural landscape full of vitality, pop music concert should be paid attention to by the theorists, however, At present, there are not many domestic research achievements, and some of the existing achievements are not deep enough. Among them, the most prominent manifestation is that the understanding of pop music is still rather vague. The evaluation of the aesthetic value and social function of pop music itself is also not fair. The lag of this academic research has directly affected the in-depth study of the aesthetic cultural phenomenon of pop music concert. From the angle of aesthetic culture and related cases, this paper tries to make a deep and systematic discussion on pop concerts. This paper is divided into five parts:. First, the summary of pop music. It mainly analyzes the concept of pop music, inspects the history of pop music, and expounds the perspective and method of studying pop music concert. It is pointed out that "pop music" is not equal to "popular music" or "popular music", and the more appropriate term for pop music should be "popular music". It is pointed out that pop music is not only an art form but also a mass cultural phenomenon. Therefore, we should examine pop music from the perspective of aesthetics and aesthetic sociology. Secondly, it examines the history of pop music. It also introduces the types of pop music. Secondly, the composition of pop concert. It discusses three types of pop concert: general pop concert, rock concert, avantgarde music concert, And separately elaborated its unique esthetic characteristic. The general pop concert, from the broad sense, is relative to the serious concert, the narrow sense general pop music concert, is refers to the rock music concert, The predecessor of the avantgarde music concert was the most direct successor to the music square and also promoted the rock concert. The development and innovation of avantgarde music concerts. Rock music will be the representative type of contemporary pop concerts. The rhythm has a strong sense of motivation. Avant-garde music concerts, which can be said to be a mix of pop and serious, have three situations, one is a pop concert featuring pop music played by a traditional orchestra, The second is a pop concert characterized by traditional music played by an electro acoustic band, and the third is a pop concert characterized by playing a composite style of music with the first two mixed bands. The mixing actually results in a mixed platter. Thus showing the characteristics of post-modern. Third, the aesthetic characteristics of pop concert. Mainly from three aspects of behavior, form and concept, the aesthetic characteristics of pop music concert are analyzed and discussed. In concept, pop concert and other concerts have
【学位授予单位】:山东师范大学
【学位级别】:硕士
【学位授予年份】:2006
【分类号】:J601

【引证文献】

相关硕士学位论文 前3条

1 王聚伍;流行音乐事象中的刘欢演唱风格研究[D];河南大学;2011年

2 胡红艳;1986-1996年中国大陆流行音乐的文化精神[D];南京艺术学院;2008年

3 雷湘;广东流行音乐的发展历程及文化特征[D];南京艺术学院;2008年



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