明清唱论的现实性意义研究

发布时间：2018-04-02 13:31

本文选题：明清唱论　切入点：歌唱艺术　出处：《河南大学》2006年硕士论文

【摘要】： 本论文以明清两朝的演唱理论为具体研究对象,按照借鉴、吸收的“实用主义”思路对其进行梳理、总结。运用分析法、归纳法和比较法,重点探讨其对于现今我国声乐艺术实践所具有的现实意义。全文共分两大部分: 第一部分,即第一章,主要是以“实用”的标准对明清唱论进行重新梳理、总结,一方面使唱论家们理论研究的历史过程更清晰的呈现出来,便于我们更好的把握这一历史脉络;另一方面,突显他们的理论成果,以使其更易于被人们所认识、所吸收。这是文章的基础部分。第二部分,即第二、三章及总结部分,分别从技术层面和艺术层面探讨明清唱论的现实意义。从技术层面说,明清唱论在歌唱语言、情感表达、声音技巧及作品等诸多方面,总结出了许多具体的原则、方法,有的可作为解决现今声乐艺术中的一些具体技术难题的直接理论指导,有的则为我们发明、创新新的技术理论提供了很好的借鉴;从艺术层面说,明清唱论在审美标准、艺术风格、音乐发展道路等方面的论述,触及到许多声乐艺术的基本规律,可以引导我们进入更深理论层面,更全面的去思考问题,从而为发展我国的声乐艺术事业提供良好的理论支持。这是文章的主体部分。
[Abstract]:This thesis takes the singing theory of Ming and Qing dynasties as the concrete research object, combs and summarizes it according to the "pragmatism" thought which draws lessons from, absorbs, uses the analytic method, inductive method and comparative method, This paper focuses on its practical significance to the practice of vocal music in our country. The thesis is divided into two parts:. The first part, namely the first chapter, mainly combs the singing theory of the Ming and Qing dynasties with the "practical" standard, summarizes, on the one hand, makes the historical process of the theoretical research of the singing theorists appear more clearly. It is convenient for us to grasp this historical context better; on the other hand, to highlight their theoretical achievements in order to make them easier to be recognized and absorbed. This is the basic part of the article. The second part, namely the second, third chapter and the summary part, respectively discusses the realistic significance of the Ming and Qing singing theory from the technical and artistic level. From the technical aspect, the Ming singing theory has many aspects such as singing language, emotional expression, sound skills and works, etc. Summarized many specific principles, methods, some can be used as a direct theoretical guidance to solve some specific technical problems in the art of vocal music, others provide a good reference for us to invent and innovate new technical theory; From an artistic point of view, the discussion on the aesthetic standards, artistic style, and the way of music development in the Ming Dynasty has touched upon the basic laws of many vocal music arts, which can lead us to a deeper theoretical level and more comprehensive thinking of problems. Thus it provides good theoretical support for the development of vocal music in China, which is the main part of the article.
【学位授予单位】：河南大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J609.2

【引证文献】