《汉书》中的音乐思想

发布时间：2018-04-04 18:44

本文选题：《汉书》　切入点：班固　出处：《陕西师范大学》2014年硕士论文

【摘要】：《汉书》是由班固编撰的中国历史上第一部纪传体断代史巨著,是即司马迁编撰的《史记》之后又一部重要的史书。《汉书》中的学术思想是统一在儒家这面旗下,“宣扬汉德”是班固编撰·《汉书》的主旨。《汉书》主要讲述汉家历史,从西汉初建汉高祖元年(公元前206年),到王莽政权地皇四年(公元23年)间的史事,共230年。全书不仅规模宏大,而且内容丰富,其中也涉及有关于音乐的内容。本论文以东汉初年政治、经济、文化历史等为背景,把《汉书》本体作为文献依据,通过分析《汉书》中有关音乐的内容,系统的梳理探索《汉书》中的音乐思想,进而全面的了解东汉时期音乐思想的传承过程。《汉书》作为一部官方史书,其哲学思想必然有明显的官方意识,是为统治阶级服务的思想体系。东汉是易学与儒家思想盛行的时代,因此《汉书》中的音乐思想所体现出来的正统儒家思想和神学色彩是十分浓厚的,《汉书》中很重视音乐的社会作用,书中强调“礼节民心,乐和民声,政以行之,刑以防之,礼乐政行。四达而不悖,则王道备矣”,认为礼乐是君王统治必备不能缺少的,为了使得礼乐更加具有神秘性和权威性,《汉书》的音乐思想被赋予了浓厚的神秘色彩。本论文中对《汉书》的音乐思想研究,主要是以《汉书》中的《礼乐志》和《律历志》为文献本体,其他篇章中能体现音乐思想的内容很少。全文共分为六个章节,四个部分。绪论为一个部分,主要说明本论文的选题意义与研究目的、分析本课题的研究现状及研究成果综述,以及介绍本论文的写作思路和研究期望等。本论文的第二部分是第二章和第三章,第二章为班固与《汉书》,主要是对《汉书》及其撰书作者班固进行介绍,探索班固对《汉书》的编撰思想。第三章为《汉书》音乐思想产生的时代和文化背景,主要介绍了《汉书》产生在东汉初年,东汉初年独尊儒术,宣扬汉德,今文经学、古文经学及谶纬神学必然对《汉书》中音乐思想产生潜移默化的影响。论文的第三部分是第四章、第五章、和第六章,是论文的核心内容。第四章为《汉书》中的音乐内容,表现音乐思想的内容主要是在《律历志》、《礼乐志》两志当中,而在其他篇章当中涉及很少,因此笔者在本章节中只对《律历志》、《礼乐志》.的音乐内容进行相关介绍。第五章为《汉书》中的音乐思想,主要论述了《汉书》中的儒家礼乐思想和《汉书》音乐思想的神秘色彩。第六章《汉书》音乐思想的价值,这一章通过之前的内容,分析《汉书》音乐思想的价值,《汉书》的音乐思想价值包括在东汉初期的现实意义和对后世的影响,首先,《汉书》创作于东汉繁盛时期,通过对《汉书》进行研究,会发现东汉的儒家音乐思想不仅继承了传统的儒家思想,又与传统的儒家音乐思想不径相同,体现出东汉特有的思想特征,具有迎合社会现状的时代性,所以对《汉书》的音乐思想研究,具有深远的现实意义和价值。
[Abstract]:Han Shu is the first monumental historical work in Chinese history compiled by Ban Gu, and it is also an important historical book after "Records of the History" compiled by Si Maqian. The academic thought in "Han Shu" is unified under the rule of Confucianism."propagandizing Hande" is the gist of Bangu's compilation of Han Shu. "Hanshu" mainly tells the history of the Han family, from the first year of the Western Han Dynasty (206 BC) to the fourth year (23 AD) of the Emperor of Wang Mang.The book is not only large-scale, but also rich in content, which also involves the content of music.Based on the background of politics, economy, culture and history in the beginning of the Eastern Han Dynasty, this paper takes the "Han Shu" as the literature basis, through the analysis of the music content in the "Han Shu", systematically combs and explores the music thought in the "Han Shu".As an official historical book, the philosophy of Han Shu must have obvious official consciousness and serve for the ruling class.The Eastern Han Dynasty was a time when the Book of changes and Confucianism prevailed. Therefore, the orthodox Confucian thought and theological color embodied in the music thought in Han Shu were very strong. In Han Shu, the social function of music was attached great importance to, and the book emphasized "courtesy of the people,"Music and people's voice, the government to act, punishment to prevent it, courtesy of the government.In order to make the music more mysterious and authoritative, the music thought of Han Shu was endowed with a strong mystery.In this thesis, the music thoughts of Han Shu are mainly studied in the book of Han Dynasty, and the contents of music thoughts are seldom reflected in other chapters.The full text is divided into six chapters, four parts.The introduction is a part which mainly explains the significance and research purpose of this thesis, analyzes the research status quo and research results, and introduces the writing ideas and research expectations of this paper.The second part of this thesis is the second and third chapters, the second chapter is the class Gu and the Han Dynasty book, mainly is carries on the introduction to the Han Dynasty book and its author Pan Gu, explores the Bangu to the Han Dynasty book compilation thought.The third chapter is the time and cultural background of the music thought of "Han Shu". It mainly introduces that Han Shu was born in the early years of the Eastern Han Dynasty.The ancient Chinese classics and the theology of prophecy must have a subtle influence on the music thought in Han Shu.The third part is the fourth chapter, the fifth chapter, and the sixth chapter, is the core content of the thesis.The fourth chapter is the music content in Han Dynasty Book. The content of music thought is mainly in the two chapters of the Book of Law and Music, but it is seldom involved in other chapters. Therefore, the author only deals with the contents of the Book of laws and Music in this chapter.The music content of the related introduction.The fifth chapter is the music thought in Han Shu, which mainly discusses the mystical color of Confucian Rites and Music thought in Han Shu.Chapter VI: the value of the music thought of "Han Shu", this chapter analyzes the value of the music thought of "Han Shu", including the realistic significance in the early Eastern Han Dynasty and its influence on the later generations through the content before the passage of this chapter.First of all, Han Shu was created in the prosperous period of the Eastern Han Dynasty. By studying Han Shu, we can find that the Confucian music thought of the Eastern Han Dynasty not only inherited the traditional Confucian thought, but also was not the same as the traditional Confucian music thought.It reflects the unique ideological characteristics of the Eastern Han Dynasty and has the characteristics of the times in accordance with the social situation. Therefore, the study of the music thought of Han Shu has far-reaching practical significance and value.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J609.2

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