20世纪我国合唱音乐的历史发展

发布时间：2018-04-05 16:27

本文选题：中国　切入点：合唱音乐　出处：《中国艺术研究院》2006年硕士论文

【摘要】：我国的合唱音乐最早由西方传入,经过拥有五千年文明史的博大中华文化的熏陶和感染以及近百年来中华民族所进行的反帝反封建革命斗争的洗礼,已经深深地烙上了时代政治的痕迹。“五四运动”对于推动我国合唱音乐的发展具有重要的划时代意义,正是从这一时期开始,我国合唱音乐的发展进程具有了极其鲜明的政治性,始终与国家的前途命运以及社会的文明进步紧紧地联系在一起。抗战时期是我国合唱音乐逐步走向成熟的重要阶段,国家和民族的生死危亡,使得合唱音乐从形式到内容都发生了根本性的变化,澎湃慷慨的激情替代了田园牧歌式的咏唱,成为当时唤醒民众、鼓舞士气、抗击外敌入侵的精神号角。建国初期百业待兴,我国合唱音乐得到了极大的发展,成为最受广大人民喜爱的艺术表现形式。这一时期的合唱音乐,无论是在内容和题材上还是在表现形式和创作技法上,较之过去都有很大的变化和创新。“文革”十年,是我国合唱音乐发展的桎梏时期,受当时政治因素的影响,合唱音乐沦为突出政治主题的一个载体。改革开放以后,随着我国社会经济、文化和思想领域的逐步开放以及对外交流的不断扩大,我国合唱音乐真正进入了稳定的繁荣发展期,不仅在表现形式和内容上呈现出了“百花齐放”,而且还建立了相对完整的理论研究体系和专业人才的培养体系。本文由正文和结语两部分组成。正文共分为三章:第一章简要回顾了19世纪末欧洲合唱音乐的传入,以及20世纪上半叶我国合唱音乐经过历史磨难不断成长发展的过程;第二章主要介绍了1949-1976年间我国合唱音乐快速发展走向成熟的基本概况;第三章着重从题材、形式、理论研究以及专业培养等方面,多纬度评述改革开放以后的我国合唱音乐逐步走向繁荣的发展历程。结语部分则阐述了我国合唱音乐发展的特点以及作者对合唱音乐的思考。
[Abstract]:The chorus music of our country was first introduced from the West, after the edification and infection of the broad Chinese culture with a history of 5,000 years of civilization, and the baptism of the anti-imperialist and anti-feudal revolutionary struggle carried out by the Chinese nation in the last hundred years.Has been deeply branded with the traces of the politics of the times.The May 4th Movement is of great epoch-making significance for promoting the development of Chinese chorus music. It is from this period that the development process of Chinese choral music has become extremely political.It has always been closely linked with the future and destiny of the country and the civilization and progress of the society.During the War of Resistance against Japan, the chorus music of our country gradually moved toward the mature important stage. The death and death of the country and the nation made the chorus music change fundamentally from the form to the content, and the surging and generous passion replaced the pastoral singing.At that time to awaken the public, morale, the fight against foreign invasion of the spiritual horn.In the early days of the founding of the people's Republic of China, Chorus music was greatly developed and became the most popular form of artistic expression.Chorus music in this period, whether in content and subject matter, in the form of expression and creative techniques, compared with the past has a great change and innovation.The "Cultural Revolution" decade was the shackle period of the development of Chinese chorus music. Influenced by the political factors at that time, choral music became a carrier of prominent political themes.After the reform and opening up, with the gradual opening up of our social economy, culture and ideological fields and the continuous expansion of foreign exchanges, Chinese chorus music has really entered a period of steady prosperity and development.It not only presents "a hundred flowers blossom" in the form and content, but also establishes a relatively complete theoretical research system and a training system for professional talents.This paper consists of two parts: the text and the conclusion.The text is divided into three chapters: the first chapter briefly reviews the introduction of European choral music at the end of the 19th century and the development of Chinese choral music through historical hardships in the first half of the 20th century;The second chapter mainly introduces the basic situation of the rapid development of Chinese chorus music from 1949 to 1976, the third chapter focuses on the subject matter, form, theoretical research and professional training, etc.Comments on the development of Chinese chorus music after reform and opening to the outside world.The conclusion describes the characteristics of the development of Chinese choral music and the author's thoughts on choral music.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J609.2

【引证文献】