20世纪80年代中国艺术歌曲的发展概况与演唱研究
发布时间:2018-04-09 08:37
本文选题:80年代 切入点:中国艺术歌曲 出处:《华南理工大学》2014年硕士论文
【摘要】:艺术歌曲最早起源于十八世纪末十九世纪初的欧洲。五四运动以来,艺术歌曲大量传入我国,一批有识之士积极传播、推广并创作出了一些有价值的艺术歌曲,成为艺术歌曲探索的第一批先行者,为艺术歌曲在我国的发展奠定了初步的基础。新中国成立后,艺术歌曲有了长足的进步和发展。尤其是改革开放以来,中国艺术歌曲无论是在创作的数量还是创作的质量上都有了很大的提高,,特别是整个80年代可以说是中国艺术歌曲发展的第二个黄金时期。 本文选取80年代中国艺术歌曲的发展概况和演唱研究作为两个切入点,探究80年代中国艺术歌曲的发展状况和演唱特征。全文共分为四章:第一章绪论,主要阐述选题的来源、内容、价值及国内研究现状。第二章20世纪80年代中国艺术歌曲的发展概况,本章首先对中国艺术歌曲这一概念做了界定,对中国艺术歌曲产生的社会历史背景和发展脉络做了宏观梳理,重点对80年代中国艺术歌曲的发展概况做了详细阐述。第三章选取以陆在易《最后一个梦》为例,对演唱陆在易的艺术歌曲做了深入研究。在音乐界“音乐诗人”之称的陆在易,他的创作题材多源于我国深厚的传统人文思想,反映了作者内心对家的热爱和拳拳爱国的赤子情怀,其歌词皆选自经典诗词,他创作的艺术歌曲情感细腻浑厚、旋律优美动听、格调明朗欢快、意境悠远深长,可谓是“音中有诗,乐中有画”。《最后一个梦》选自我国著名词人张鸿喜的词,作品反映了祖国亿万人民深切期盼祖国统一的美好愿望,一反惯常的口号式的爱国呐喊或情感的卿卿我我,始终用一种“小我”的平凡内涵,透出一种对祖国、对民族的“大爱”情怀。《最后一个梦》这首歌曲的速度是平静的柔板,给人如梦如幻的视听感觉,用简单集中的音乐素材、短小的篇幅内容和精致的钢琴伴奏将作者内心急切渴望海峡两岸早日实现统一的美好愿望表现的淋漓尽致。最后是结论,这一章主要探讨了中国艺术歌曲今天的发展受困的原因及解决对策。笔者认为,流行歌曲的挤兑和快餐文化的影响,使得中国艺术歌曲数量多、精品少。为了摆脱当前困境,更好地弘扬民族文化,打造民族特色音乐,就必须不断提高音乐演唱者自身的内在素养,不仅要创作出好的艺术歌曲,还要把好的艺术歌曲演唱好;更为重要的是要充分运用现代新兴媒体把好的艺术歌曲传播好,让好的艺术歌曲在广大人民群众中生根开花。
[Abstract]:Art songs originated in Europe at the end of the 18 th century and the beginning of the 19 th century.Since the May 4th Movement, a large number of art songs have been introduced into our country, and a number of people of insight have actively disseminated, popularized and created some valuable art songs, becoming the first group of pioneers in the exploration of art songs.For the development of art songs in China laid a preliminary foundation.After the founding of New China, art songs have made great progress and development.Especially since the reform and opening up, the number and quality of Chinese art songs have been greatly improved, especially the whole 1980s can be said to be the second golden period of the development of Chinese art songs.In this paper, the development of Chinese art songs in the 1980s and singing research as two entry points to explore the development of Chinese art songs in the 1980s and singing characteristics.The full text is divided into four chapters: the first chapter is an introduction, mainly describes the source, content, value and domestic research status.The second chapter is about the development of Chinese art songs in 1980s. Firstly, this chapter defines the concept of Chinese art songs, and makes a macroscopic analysis of the social and historical background and development of Chinese art songs.The development of Chinese art songs in the 1980's is described in detail.In the third chapter, taking Lu Zaiyi's Last Dream as an example, the author makes a deep research on the artistic song of Lu Zaiyi.Lu Zaiyi, who is known as "music poet" in the music world, his creation subject matter mostly originates from our country's profound traditional humanities thought, has reflected the author's heart to the home love and the fist boxing patriotic naked son sentiment, its lyrics are all selected from the classical poem.His artistic songs are full of exquisite emotions, beautiful melodies, bright and cheerful styles, and profound artistic conception. It can be said that "there are poems in sounds and paintings in music." "the Last Dream" is selected from the words of famous Chinese poet Zhang Hongxi.The works reflect the motherland's hundreds of millions of people's deep desire for the reunification of the motherland. Instead of the usual slogan of patriotic cry or emotional affection, they always use the ordinary connotation of "ego" to reveal a kind of respect for the motherland.The speed of this song is calm and flexible, giving people a dreamlike audiovisual feeling, using simple and concentrated music material,The short content and exquisite piano accompaniment make the author eager to realize the reunification of the two sides of the Taiwan Strait as soon as possible.Finally, the conclusion, this chapter mainly discusses the development of Chinese art songs today, the reasons and solutions.The author thinks that the run on pop songs and the influence of fast food culture make the number of Chinese art songs more and less.In order to get rid of the current predicament, better carry forward the national culture and create the music with national characteristics, we must constantly improve the inner accomplishment of the singers themselves, not only to create good art songs, but also to sing the good art songs.What is more important is to make full use of modern new media to spread good art songs so that they can take root and blossom among the broad masses of people.
【学位授予单位】:华南理工大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J609.2
【参考文献】
相关期刊论文 前1条
1 陆在易;;中国艺术歌曲创作之我见[J];人民音乐;2007年08期
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