改编曲《进行曲》的音乐结构与演奏实践

发布时间：2018-04-10 20:00

本文选题：进行曲 + 改编曲　；参考：《河北师范大学》2014年硕士论文

【摘要】：改编曲，由古至今不胜枚举，巴赫、贝多芬、莫扎特、维瓦尔第等人都曾热衷于改编自己或他人的作品，钢琴大王李斯特更是一位卓越的改编大家。十八到十九世纪为了顺应澎湃的音乐潮流，社会上涌现了大量的普及性的改编曲，这种现象一直延续至二十世纪。本文所研究的这首改编曲是由前苏联作曲家普罗科菲耶夫根据自己的作品改编而成。二十世纪初，普罗科菲耶夫旅美期间，创作歌剧了《三桔之爱》，，至1919年完成管弦乐总谱。自面世起这部管弦乐引起了强烈反响，听众们纷纷赞赏不绝，其中最受欢迎的就是《进行曲》。之后，普罗科菲耶夫又将其改编为钢琴版、著名小提琴演奏家海菲茨改编为小提琴版，流传至今，这部风格鲜明的作品成为诸多演奏家音乐会的首选曲目之一。本人在研究如何演奏《进行曲》这一作品的过程中发现，对于作品音乐结构的把握是演奏的关键，应放在重要的位置，只有经过深入的结构分析，才能最终了解这部作品想要“告诉”我们什么、传达给我们什么样的表情信息、具有怎样的性格特征、描述了何种场景或者意境，才有可能将这些信息准确的、真实的用声音诠释给听众，这是我们钢琴演奏者的职责所在。本文以钢琴改编曲《进行曲》为研究对象，从以下几方面进行研究：普罗科菲耶夫的艺术生涯及改编曲背景，改编曲《进行曲》的结构特征对演奏实践的影响。在作品结构特征对演奏实践的影响这一部分中详细阐述了作品曲式结构、和声与织体、速度与节奏以及踏板对演奏的影响。希望通过本文的论述能增加我们对这部作品的全面理解，能准确地把握其中的演奏技巧，能够更加准确细致地表达出作品的思想内容。
[Abstract]:Since ancient times, the adaptation of music, Bach, Beethoven, Mozart, Vivaldi and other people have been keen to adapt their own or others' works, the piano King Liszt is a remarkable adaptation of everyone.In the eighteenth and nineteenth centuries, in order to conform to the surging music trend, a large number of popular adaptation emerged, and this phenomenon continued into the twentieth century.The adaptation is based on the former Soviet composer Prokofyev.At the beginning of the twentieth century, Prokofyev wrote the opera Love of the Citrus during his trip to the United States, and by 1919 he had completed the orchestral composition.Since its launch, the orchestra has received a lot of applause from the audience, the most popular of which is March.Later, Prokofyev adapted it to the piano version and the famous violinist Hefitz to the violin version. This distinctive style of work has become one of the preferred repertoire for many musicians.In the course of studying how to play "March", I found that the grasp of music structure is the key to performance, should be placed in an important position, only through in-depth structural analysis,In order to finally understand what this work wants to "tell" us, what kind of facial expression information it conveys to us, what personality characteristics it has, what kind of scene or artistic conception it describes, so that it can be accurate.It is the duty of our piano players to interpret the truth to the audience with sound.In this paper, the piano adaptation "March" as the research object, from the following aspects: Prokofyev's artistic career and the background of the adaptation, the structural characteristics of the adaptation of "March" on the performance of practice.In this part, the influence of musical structure, harmony and texture, speed and rhythm, and pedal on performance is discussed in detail.It is hoped that the discussion in this paper can increase our overall understanding of the work, grasp the playing skills accurately, and express the ideological content of the work more accurately and meticulously.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J605

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