音乐美学的哲学性质、人类学事实与艺术学前提以及音乐本质力量的先在性——由2011第九届全国音乐美学学术研讨会议题引发的三

发布时间：2018-04-12 19:56

本文选题：音乐美学 + 哲学性质　；参考：《交响(西安音乐学院学报)》2011年03期

【摘要】：全国音乐美学学术研讨会自1978年召开首届迄今已逾八届,笔者第三届起参加各届会议。比对历次会议研讨主题之间,显然缺乏严密的可衔接的结构逻辑,甚至几乎呈现自发状态。加之持续不断的理论联系实际的学界诉求以及层出不穷的社会问题的外界干扰,真正自觉状态的学科格局依然若隐若现。很显然,横向断面危机和纵向贯串性的乏力,一定程度上反映出学术含量不纯与学科基础薄弱的问题。眼下要紧的问题,依然是缺乏对学科基本问题的共识,甚至不及应有的关注,由此,通过几个概念提取相关问题,并及更加深入的问题,以求学科关切,主要涉及:音乐美学的哲学性质;音乐美学的人类学事实;音乐美学的艺术学前提。
[Abstract]:The National Symposium on Music Aesthetics has been held for more than eight sessions since 1978.Compared with the topics discussed in previous conferences, it is obvious that there is a lack of tight cohesive structural logic and even almost spontaneous state.In addition, with the continuous academic demands of integrating theory with practice and the external interference of endless social problems, the discipline pattern of real conscious state is still looming.Obviously, the crisis of transverse cross section and the weakness of longitudinal continuity reflect to some extent the problems of impure academic content and weak discipline foundation.The immediate problem remains the lack of consensus or even the attention that should be given to the basic issues of the discipline, so that the relevant issues are extracted through several concepts, and further questions are sought for the concern of the discipline.It mainly involves: the philosophical nature of music aesthetics; the anthropological facts of music aesthetics; the artistic premise of music aesthetics.
【作者单位】：上海音乐学院音乐学系;
【基金】：上海音乐学院国家重点学科—音乐学特色学科项目资助(代码:050402)
【分类号】：J601

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