论复调思维在音响型电子音乐中的体现

发布时间：2018-04-14 08:38

本文选题：音响型电子音乐 + 复调性思维　；参考：《武汉音乐学院》2006年硕士论文

【摘要】： “音响型电子音乐”作为20世纪音乐的一个分支,不论是音响特征还是组织方式,都与传统音乐有明显的区分,但其创作思维是否与传统音乐毫无关联呢?本文以法国20世纪五十年代至本世纪初的电子音乐为例,从音色、音响形态出发,来探究复调思维在音响型电子音乐中的体现。本文以传统复调思维中的“对抗”和“互补”两种规律为依据,以音响型电子音乐中音色和音响形态的特征为线索,论述了复调思维在音色及音响形态中的体现,又以法国作曲家Yann Geslin的作品《Couleurs du temps》为例,来探讨复调思维在完整作品中的体现,以及对音响型电子音乐结构的影响。
[Abstract]:As a branch of 20 ~ ( th ) century music , " stereo electronic music " is a branch of the 20th century music , whether it is a sound characteristic or an organization mode , is clearly distinguished from the traditional music , but whether its creative thinking is irrelevant to the traditional music ? This article takes the electronic music as an example from the 1950 ' s to the beginning of the century , and explores the reflection of the complex thinking in the sound electronic music from the sound and sound form .

Based on the two laws of " confrontation " and " complementary " in the traditional complex thinking , this paper discusses the reflection of the tone color and the sound form in the audio - type electronic music , and discusses the reflection of the complex thinking in the complete works , as well as the influence on the audio - type electronic music structure , taking the French composer Yann Geslin ' s works as an example .

【学位授予单位】：武汉音乐学院
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J614

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