甘谷道情初探
发布时间:2018-04-14 13:13
本文选题:道情 + 甘谷道情 ; 参考:《西北民族大学》2013年硕士论文
【摘要】:道情是唐朝以来广泛流行于中国民间社会的一种音乐表现形式,起初主要以传播道教的教义教规及清静无为、出世避祸的思想为主。在后世的发展过程中,逐渐吸收了传统儒家的孝道思想和忠义思想,其取材既有中国传统三教(儒释道)中的教化故事,也有中国古典文学中的章节片段。作为一种流行于民间的音乐形式,其发展与传播带有明显的地域特色,现存地方道情主要有沔阳道情、周至道情、温州道情、关中道情、金华道情、长武道情、甘谷道情等。 作为华夏文明的肇始之地,甘谷自古以来就在在中国文明和文化史中具有重要的地位。据《史记·秦本纪》记载:“秦武公十年(公元前688年),伐邦、冀戎,初县之”,因此甘谷享有“华夏第一县”的美誉。唐朝以来,甘谷更是丝绸之路上的重镇,在抵御异族入侵和促进民族交流融合的过程中起到了重要的作用,时至宋朝已是名符其实的“茶马大市”。甘谷道情作为流行于甘谷城乡地区的民间音乐表现形式,其取材广泛,曲调幽婉,从艺术的层面表现出了在这片土地上所生活人民的价值取向、情调意趣以及民俗文化,因此研究甘谷道情对于把握中国地方音乐与起源地文化之间的关系,甘肃传统民间音乐的流行与发展,以及陇右地区民俗艺术形式的建构有着重要的意义。 本文在吸收以往研究成果,并且广泛搜集整理甘谷道情素材的基础上,试图从历史的角度对甘谷道情的起源、发展、传播进行梳理与整合,从文化的角度对甘谷道情中所蕴含的传统文化思想和地域文化特征进行发掘和探讨,更从艺术的角度对甘谷道情的曲式结构特点、音阶调式特点、节奏节拍特点及旋律特点进行思考与研究。本文想以此对甘谷道情的发掘、整理、保护尽一份绵薄之力。
[Abstract]:Taoism is a popular form of music in Chinese civil society since the Tang Dynasty.In the development of later generations, the traditional Confucian thought of filial piety and loyalty was gradually absorbed, which was drawn from both the Chinese traditional three religions (Confucianism, Buddhism and Taoism), as well as the chapters and fragments of Chinese classical literature.As a popular folk music form, its development and dissemination have obvious regional characteristics. The existing local Taoism mainly includes Mianyang, Zhou Zhi, Wenzhou, Guanzhong, Jinhua, Changwu, Ganggu, etc.As the beginning of Chinese civilization, Gangu has played an important role in the history of Chinese civilization and culture since ancient times.According to the Historical Records of the Qin period: "Qin Wugong ten years (688 BC, Fabang, Ji Rong, early county", therefore Ganggu enjoy the "first county of China" reputation.Since the Tang Dynasty, Gangu has been an important town on the Silk Road, which has played an important role in the process of resisting foreign invasion and promoting ethnic exchange and fusion. It has been a true "Cha Ma Da Shi" since the Song Dynasty.As a popular form of folk music in the urban and rural areas of Gangu, Ganggu Taoism is a popular folk music form, which has a wide range of materials and a subtle tune. It shows the value orientation, sentiment and folklore culture of the people living on this land from the artistic level.Therefore, the study of Gangu Taoism is of great significance to grasp the relationship between Chinese local music and local culture, the popularity and development of Gansu traditional folk music, and the construction of folk art form in Longyou region.On the basis of absorbing the previous research results and collecting and sorting out the material of Ganggu Taoism, this paper attempts to sort out and integrate the origin, development and dissemination of Ganggu Daoqing from the historical point of view.From the angle of culture, this paper explores and discusses the traditional cultural thought and the regional cultural characteristics contained in Gangu Taoism, and from the artistic point of view, explores the characteristics of the musical structure and the scale modulation of Gangu Taoism.Rhythm and rhythm characteristics and melodic characteristics of thinking and research.This article would like to explore the Ganggu Road, collate, and protect a modest force.
【学位授予单位】:西北民族大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J607
【参考文献】
相关期刊论文 前1条
1 魏新民;甘谷道情述要[J];云南艺术学院学报;2000年04期
,本文编号:1749461
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