解析弓法练习在低音提琴演奏中的重要性

发布时间：2018-04-18 03:17

本文选题：低音提琴历史 + 琴弓发展史　；参考：《中央音乐学院》2014年硕士论文

【摘要】：低音提琴这门乐器是适应音乐的发展以及越来越多的市场需求而产生的乐器,这个乐器开始是为乐队产生的。随着时间的发展,角度的转变,低音提琴独奏的曲目越来越多,非常多的作曲家也开始谱写低音提琴作品,也有很多人开始把大提琴或者小提琴吉他等乐器的作品改编或移植成为低音提琴的作品。随着作品的不断问世,这也要求低音提琴演奏者们的技术也要不断地提高来适应作品和市场的需求。而低音提琴这个乐器的右手运功的技术难度远远超过左手,在保持好左手换把的稳定性和固定性的基础上,本文针对低音提琴右手技术中的弓法练习部分进行解析,让演奏者们在练习过程中领会弓法练习的重要性,抓住时代风格与作曲家的意图,从而让演奏者在演奏过程中条理更加清晰。右手更加自如。
[Abstract]:Bass is a musical instrument adapted to the development of music and more and more market demand, this instrument was originally created for the band.With the development of time and the change of angle, there are more and more bass solos, and a lot of composers have begun to write bass works.Others have adapted or transplanted instruments such as cello or violin guitar to bass.With the advent of the work, it also requires the bass players to improve their skills to meet the needs of the work and the market.On the basis of maintaining the stability and fixation of the left hand replacement handle, this paper analyzes the bow method in the right hand technique of the bass violin, which is far more difficult than that of the left hand.Let players understand the importance of bow practice in the process of practice, grasp the style of the times and the intention of the composer, so that the players in the process of playing more clearly.The right hand is more comfortable.
【学位授予单位】：中央音乐学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J622.4

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