中国民族音乐国际传播的理论与策略研究

发布时间：2018-04-19 07:21

本文选题：民族音乐 + 国际传播　；参考：《湖南师范大学》2013年硕士论文

【摘要】：我国民族音乐文化自古都是中华民族文化的重要组成部分,有着丰富而深厚的哲学、美学价值以及独特的文化和音乐艺术魅力。我国自夏商时期便有与外族音乐文化交流的文字记载,到隋唐时期我国民族音乐国际传播达到鼎盛时期,直至清朝中后期,民族音乐国际传播一度中断。随着新中国的成立,改革开放的深化,国家持续的发展,我国将民族音乐文化推向世界的意愿日益增强。同时,世界也渴望了解中国文化。自20世纪8090年代至今,我国积极探索民族音乐国际传播的道路,主要采取音乐文化展演、音乐会、音乐节、国际音乐比赛等动态传播途径。然而这些途径在当今信息化的社会中已经受到制约,不能最大限度的传播我国民族音乐文化。这也是本文研究的缘由。本文共包括：绪论、正文、结语三个部分。绪论在提出问题基础上,阐明该文章的理论研究价值、实践研究价值、目前研究动态、研究方法。正文由三个章节组成。第一章：阐述我国民族音乐国际传播的历史发展以及意义,找出我国民族音乐国际传播特点以及历史成因；第二章：我国民族音乐国际传播的现状,其中包括音乐文化贸易、音乐文化交流、音乐文化教育三个方面。从这三方面找出目前我国民族音乐国际传播的弊端以及较为薄弱的地方。第三章：我国民族音乐国际传播的策略研究。这一章主要针对第一、二章谈到历史成因和现状问题进行研究。首先提出了民族音乐国际网络化传播,应该充分开发和利用网络这个当今遍及最广、速度最快、涵盖量最大的传播途径；第二,在遍布世界各地的孔子学院中开设民族音乐课程。向主动愿意和喜欢汉语、汉文化的华人华侨、外国友人传授中国民族音乐文化。并且针对孔子学院教学的特点,提供了一些可供参考教学安排；第三,对多元化的传播途径进行探讨和研究。本文得出的结论是：在国家大力实施文化“走出去”战略的今天,我国民族音乐国际传播不能只停留在让外国人观看民族音乐展演、听音乐会、参加音乐节等“看热闹”的层面上面,而是应该让世界各地人们能以中国文化的审美哲学、音乐体系去理解、鉴赏、表现、评论中国音乐。并且在传播过程中加强民族音乐图书和音像制品海外出版、民族音乐海外网络传播、民族音乐海外教育等静态传播途径,注重民族音乐国际传播的文化性、深度性、高效性。通过民族音乐国际传播,让世界了解中国的文化、思维习惯、审美观念,以音乐的柔性触碰彼此心灵深处,加深相互的理解和沟通。
[Abstract]:Chinese national music culture has been an important part of Chinese culture since ancient times, with rich and profound philosophy, aesthetic value, unique culture and music art charm.Since the Xia and Shang dynasties, there have been written records of the exchange of music and culture between China and other nationalities, until the Sui and Tang dynasties, when the international dissemination of folk music reached its peak, until the middle and late Qing Dynasty, the international dissemination of folk music was once interrupted.With the founding of New China, the deepening of reform and opening up, and the continuous development of the country, the willingness of our country to push the folk music culture to the world is increasing day by day.At the same time, the world is also eager to understand Chinese culture.Since the 1980s, China has been actively exploring the way of international dissemination of national music, mainly by means of music cultural exhibitions, concerts, music festivals, international music competitions, and so on.However, these ways have been restricted in today's information society, and can not spread our national music culture to the maximum extent.This is also the reason for this study.This paper includes three parts: introduction, text and conclusion.On the basis of putting forward the questions, the introduction clarifies the theoretical research value, the practical research value, the current research trends and the research methods of this article.The text consists of three chapters.Chapter one: expound the historical development and significance of international dissemination of Chinese folk music, find out the characteristics and historical causes of international communication of Chinese folk music, chapter two: the present situation of international communication of Chinese folk music, including the trade of music culture,There are three aspects of music culture communication and music culture education.From these three aspects, find out the malpractice and weakness of international dissemination of Chinese folk music at present.Chapter three: the strategy of international dissemination of Chinese folk music.This chapter mainly aims at the first chapter, the second chapter talks about the historical origin and the present situation question carries on the research.First of all, it is proposed that the international network dissemination of folk music should be fully developed and utilized, which is the most widespread, fastest, and largest amount of communication channel. Second,Folk music courses are offered in Confucius Institutes all over the world.Teach Chinese folk music culture to Chinese, Chinese and foreign friends who are willing and interested in Chinese and Han culture.And according to the characteristics of Confucius Institute teaching, it provides some teaching arrangements for reference. Third, to explore and study the diversified ways of communication.The conclusion of this paper is: today, when the country vigorously implements the strategy of "going out", the international dissemination of Chinese folk music cannot only stop at allowing foreigners to watch national music performances and listen to concerts.Participation in music festivals and other "watching" level, but should let people around the world with the aesthetic philosophy of Chinese culture, music system to understand, appreciate, show and comment on Chinese music.And in the process of dissemination, strengthen the national music books and audio-visual products overseas publication, ethnic music overseas network dissemination, ethnic music overseas education and other static channels of communication, pay attention to the international dissemination of national music culture, depth, high efficiency.Through the international dissemination of folk music, the world can understand Chinese culture, thinking habits, aesthetic concepts, touch each other with the softness of music, deepen mutual understanding and communication.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J607;G206

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