近十年中国流行歌曲审美价值研究

发布时间：2018-04-23 20:12

本文选题：流行歌曲 + 发展　；参考：《哈尔滨师范大学》2013年硕士论文

【摘要】：随着西方工业革命的发展,流行音乐从西方爵士乐中分流出来并逐渐兴起,并在上世纪初传入我国,最初是西方的唱片公司在上海传播,直到1927年黎锦辉创作的《毛毛雨》问世,中国才有了真正意义上的第一首流行音乐,由此正式开始了流行音乐在中国的发展。时至今日,现代流行音乐已经完全彻底转变为现代商品音乐。其主要以盈利为主要目的,娱乐性非常强。正基于此,对于音乐本身研究已经不能够完全阐释流行乐本身发展内涵和审美特征,我们必须从流行音乐消费市场着手,从流行音乐所处的大环境出发,对于不同年龄层次的消费者审美情趣进行研究,才能真正了解到流行音乐的本质。全文共分五个章节。第一章为全文绪论,对于流行歌曲的定义和特征以及本文研究方案和研究目的进行全面阐释,为全文分析研究奠定基础；第二章基于中国流行歌曲起源和发展基础之上,对于近十年中国流行歌曲的发展现状和特点进行分析,并对于近十年中国流行歌曲的普遍现象进行重点说明,并举例分析；第三章从流行歌曲特点入手与传统途径入手,对于当前流行歌曲的主要特征进行深入浅出解释。第四章为全文核心,对于当前流行歌曲审美受众群体进行研究,并从审美情趣、审美心理、审美接受三个方面,对于流行歌曲审美现象的理性思考进行闸释；最后为全文总结。
[Abstract]:With the development of the western industrial revolution, pop music emerged from the western jazz and spread to China at the beginning of the last century. At first, the Western record companies spread in Shanghai. It was not until the publication of drizzle by Li Jinhui in 1927 that China had the first pop music in the real sense, and thus began the development of pop music in China. Up to now, modern pop music has been completely transformed into modern commercial music. Its main purpose is to profit, entertainment is very strong. Because of this, the study of music itself can no longer fully explain the connotation and aesthetic characteristics of pop music itself. We must start from the consumer market of pop music and proceed from the general environment in which pop music is located. In order to understand the essence of pop music, we can study the aesthetic taste of consumers at different ages. The full text is divided into five chapters. The first chapter is the introduction of the full text, the definition and characteristics of pop songs, as well as the research plan and purpose of this paper are explained in an all-round way, which lays a foundation for the analysis and research of the full text; the second chapter is based on the origin and development of Chinese pop songs. The development status and characteristics of Chinese pop songs in recent ten years are analyzed, and the general phenomenon of Chinese pop songs in the last ten years is explained emphatically, and an example is given. Chapter three starts with the characteristics of popular songs and the traditional ways. The main features of current pop songs are explained. The fourth chapter is the core of the full text, for the current popular songs aesthetic audience group research, and from the aesthetic taste, aesthetic psychology, aesthetic acceptance of three aspects, for the rational thinking of pop songs aesthetic phenomenon, and finally for the full text summary.
【学位授予单位】：哈尔滨师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J609.2

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