自然科学思维影响下的宋代音乐观
本文选题:宋代音乐 + 自然科学思维 ; 参考:《山西大学》2014年硕士论文
【摘要】:在音乐艺术的发展过程中,人们对于音乐的认识可以称之为音乐观念。因为青乐艺术自身具备人文科学、自然科学的双重属性,故人们对音乐的认识便产生了人文科学思维和自然科学思维两种方式。前一介历史时期,国内外的研究主要集中于对音乐进行人文科学的研究。对音乐做自然科学的研究是近期新兴起的一个重要课题。因为越来越多的人认识到科学技术的发展对音乐发展的重要性。自然思维科学影响下的音乐研究作为新兴兴起的一项研究项目,突出的显现于音乐科技史的研究之中。自然音乐观的研究虽然起步晚,但是可供研究的古代著述丰富,且意义深远。这些研究的过程和结果都需要我们对之进行整理、总结,使之系统化。宋代是我国科学技术高度发展的历史时期,当时人们对于音乐的认识,自然与当时科学技术的发展密切相关。宋代音乐家的音乐认知和思维模式或多或少的体现在了当时的正史、笔记之中。为了发展新兴的音乐科技研究,本文选取自然科学思维影响下的宋代音乐观作为研究课题。以期对音乐科技史的研究有所帮助。对于音乐的自然科学思维研究,最早出现在先秦时期,如音乐的自然观。据历史文献记载,自然科学思维影响下的音乐观在魏晋、宋代有进一步的发展。如《梦溪笔谈》、《宋史乐志》等等。目前对于宋代自然科学思维影响下的音乐观研究,主要集中在雅乐上。学者争论的焦点集中于宋代雅乐是对先秦自然观的“复兴”还是拘泥不化的“复古”。还有一部分学者对于宋代程朱理学的“元理论”中体现的音乐观有所研究。本篇学术论文不仅仅着眼于宋代的正史之中,还将眼光投向文人笔记,来挖掘宋代自然音乐观的发展。在过去的十年中,中国音乐史学界开展了中国音乐科技史的研究。而我校承担的中国音乐科技史研究项目,在其中具有重要的影响。这其中就包括了自然科学思维影响下的音乐观研究课题。本篇学术论文的选题和此项科研项目有关。所以在此高度上,本篇学术论文也将有一个更广阔的研究视野。有关音乐科技的研究,国外学术界有一些研究成果,但并没有形成有影响的潮流。通过纵向的分析我国自然音乐观的演变,而不是单纯的断代研究。这种分析方法可以看出我国古代音乐史的发展脉络,并且从中梳理出宋代自然音乐观在整体大的历史环境下发生的流变。本文采用的研究方法为文献学方法和一般的哲学研究方法。文献学方法是指,在丰富翔实的史料基础上,运用分类归纳的分析方法对我国音乐自然科学思维的发展做出研究。一般哲学研究方法,是指运用纵横比较的方法对我国宋代出现音乐自然观进行分析、归纳。简要分析我国音乐自然科学思维发展、变化原因。最终文章可以得出这样一个观点:宋代的自然音乐观,虽然与先秦时期的思想相比,在发展中发生了很大的转变。但是自然音乐观发展的根源并没有改变。而且在宋代自然音乐观的发展中,随着科技技术的迅猛发展,认识世界的能力的提高,对旧有的一些观点还有了批判性的发展。可见宋代的自然音乐观上承魏晋、下接明清。可以说是我国音乐思想史上的第三次高峰。这样通过全局的角度、全面的分析史料,就可以对我国古代音乐观有一个全新的认识。
[Abstract]:In the course of the development of music art, people's understanding of music can be called the concept of music. Because the art of green music itself has the dual attributes of human science and natural science, so people's understanding of music has produced two kinds of thinking and thinking of natural science. The previous historical period, the main research at home and abroad It is focused on the study of the humanities of music. The study of the natural science of music is an important issue emerging in the near future. Because more and more people have realized the importance of the development of science and technology to the development of music. The music research under the influence of natural thinking science is a newly emerging research project. In the study of the history of music science and technology, the study of the concept of natural music started late, but the ancient writings which can be studied are rich and far-reaching. The process and results of these studies need to be collated, summed up and systematized. The Song Dynasty was the historical period of the high development of science and technology in China, at that time the people were to music. Understanding, nature is closely related to the development of science and technology at that time. The music cognition and thinking mode of the musicians of the Song Dynasty were more or less reflected in the history of the time. In order to develop the new research of music science and technology, this article selected Song Daiyin Optimism under the influence of natural scientific thinking as a research topic. The study of natural scientific thinking of music was first appeared in the pre Qin period, such as the natural view of music. According to historical documents, the music view under the influence of natural science thought has been further developed in the Wei and Jin Dynasties, and the Song Dynasty, such as "Meng Xi pen talk", "Song Shi Le Zhi >" and so on. The focus of the study of music view is on the music. The focus of the controversy is on the "revival" of the Song Dynasty's "revival" of the natural view of the pre-Qin period or the "restoration of the ancient". Some scholars have studied the music concept embodied in the "Yuan theory" of Cheng Zhu's Neo Confucianism in the Song Dynasty. This thesis is not only focused on the Song Dynasty. In the past ten years, Chinese music historians have carried out the study of the history of Chinese music science and technology in the past ten years. The Chinese music science and technology history research project in China has an important influence. This includes the influence of natural science thinking. The topic of this thesis is related to this research project. So this academic thesis will have a wider field of vision at this height. There are some research achievements in the study of music science and technology in foreign academia, but there are no influential trends. Through the longitudinal analysis of natural music in China This method can see the development of the history of Chinese ancient music, and the evolution of the natural music view of the Song Dynasty in the whole large historical environment. The method used in this paper is a literature method and a kind of philosophical research method. On the basis of abundant and accurate historical materials, this paper makes a study on the development of Chinese music natural science thinking by the method of classification and induction. The general philosophy research method refers to the analysis and induction of the emergence of the natural view of music in the Song Dynasty in China by means of comparison and comparison, and briefly analyzes the development of natural science thinking in our country and the reasons for the change. The final article can draw a view that the view of natural music in the Song Dynasty, although compared with the thought of the pre Qin period, has changed greatly in the development. But the origin of the development of the natural music concept has not changed. And in the development of the natural music view of the Song Dynasty, with the rapid development of science and technology, the ability to know the world is realized. It can be seen that the Song Dynasty's view of natural music inherited the Wei Jin and Ming and Qing Dynasties. It can be said to be the third peak in the history of music thought in our country. So through the overall analysis of historical materials, we can have a new understanding of the optimism of Chinese ancient sound.
【学位授予单位】:山西大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J609.2
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