贝多芬钢琴奏鸣曲中的古典思想与浪漫情怀

发布时间：2018-04-26 00:27

本文选题：贝多芬 + 音乐本体　；参考：《云南艺术学院》2014年硕士论文

【摘要】：众所周知，贝多芬的音乐创作类型广泛，其中涉及到的有交响乐、协奏曲、歌剧等音乐体裁。由于作者的阅读范围和搜索资料的能力有限，不能把贝多芬所有的音乐作品涵盖其中，所以，本文仅以贝多芬的钢琴奏鸣曲为主要研究对象，通过贝多芬OP.10No.1、OP.27.NO.2两首钢琴奏鸣曲展开论述。采用文献资料、个案研究、音像资料等分析手法，从社会时代、个人以及钢琴奏鸣曲创作的背景这些角度出发，去深入研究、挖掘贝多芬音乐中所蕴含的感情色彩，从而深入的解读贝多芬钢琴奏鸣曲创作的思想精髓。作者通过分析、聆听他的钢琴奏鸣曲，认为比较能代表贝多芬钢琴奏鸣曲创作特色的是他的第五和第十四钢琴奏鸣曲。所以，作者准备通过对这两首作品的音乐本体和创作手法、风格的研究分析，，探索其中的音乐感情思想及艺术影响，可以给读者一个全新的阅读欣赏空间。
[Abstract]:As we all know, Beethoven has a wide range of types of music, including symphonies, concertos, operas and other musical genres. Due to the author's limited ability to read and search materials, he can not cover all of Beethoven's musical works. Therefore, this paper only focuses on Beethoven's piano sonatas. Two piano sonatas by Beethoven OP.10 No. 1 and OP.27.NO.2 are discussed. Using literature, case studies, audio-visual materials, and other analytical techniques, from the perspective of social times, individuals and the background of piano sonata creation, we go deep into the research and dig into the emotional color contained in Beethoven's music. In order to understand the essence of Beethoven's piano sonata creation. By analyzing and listening to his piano sonata, the author thinks that his fifth and fourteenth piano sonatas are more representative of Beethoven's piano sonata. Therefore, the author intends to explore the music emotion thought and the artistic influence through the research and analysis of the music Noumenon, the creation technique and the style of the two works, which can give the reader a brand-new reading appreciation space.
【学位授予单位】：云南艺术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J624.1

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