伊萨依《六首无伴奏小提琴奏鸣曲》研究

发布时间：2018-05-02 08:04

本文选题：伊萨依 + J·S巴赫　；参考：《江西师范大学》2005年硕士论文

【摘要】：欧仁·伊萨依(Eugene Ysaye,1858-1931)是欧洲近现代小提琴艺术史上一位重要的演奏家和作曲家。他在演奏和创作上所表现出来的强烈的个性意识和别具一格的创新精神,为现代小提琴艺术的发展和美学观念的形成起到了巨大的推动作用,同时他创作的六首无伴奏小提琴奏鸣曲也成为小提琴文献中脍炙人口的精品佳作。在我国,对伊萨依演奏风格和作品的研究还相当匮乏,其重要作品在我国的小提琴演奏界还没有得到应有的重视和普及。因此本论文拟选取伊萨依最重要的代表作品——六首无伴奏小提琴奏鸣曲作为论题,对其进行展开性研究,为宣传精品,推广佳作尽微薄之力。本论文共分为四章,即从作品渊源、结构解析、风格特征以及艺术价值等四个方面对作品进行研究。第一章中,主要探讨的是作品在结构形式上与J·S巴赫六首无伴奏奏鸣曲的渊源关系;在演奏技巧运用上与19世纪帕格尼尼等小提琴大师们对小提琴演奏技巧发展的传承关系。第二章中,主要从微观的角度逐一对每首奏鸣曲进行结构和句法的剖析,试图通过深入细致的本体分析,阐释作品在各个方面显露出来的细部特征。第三章中,从宏观的角度对伊萨依在创作和演奏上表现出来的整体风格进行分析,并以创作手法和演奏要素为切入口,就奏鸣曲在创作和演奏上的风格特征进行概括。最后一章是对该套作品艺术价值的研究。在这一章中,论文总结性地从小提琴演奏发展史的角度对这六首无伴奏小提琴奏鸣曲在技巧、风格以及美学观念等方面所具有的重要价值进行论述,试图对该套作品在小提琴艺术发展史上的地位给予客观的价值评价。
[Abstract]:Eugene Isai (1858-1931) is an important performer and composer in the history of modern violin art in Europe. His strong sense of individuality and his unique spirit of innovation in his performance and creation played a great role in promoting the development of modern violin art and the formation of aesthetic concepts. At the same time, his six accompaniment violin sonatas have become the most popular fine works in violin literature. In our country, the research on Isai's playing style and works is still quite scarce, and his important works have not been paid enough attention and popularized in the violin playing field. Therefore, this paper chooses six accompaniment violins sonata, which is the most important representative work of Isai, as the topic, carries on the research to it, in order to propagate the fine works, popularizes the fine work to do a meager part. This thesis is divided into four chapters: the origin of the work, structural analysis, style characteristics and artistic value. In the first chapter, the author mainly discusses the relationship between the structure of the works and the six accompaniment sonatas of J S Bach, and the relationship between the application of the performance skills and the development of violin playing skills by the violin masters such as Paganini in the 19th century. In the second chapter, we analyze the structure and syntax of each sonata one by one from the micro point of view, and try to explain the detailed features of the works in all aspects through a thorough and detailed ontological analysis. The third chapter analyzes the overall style of Isai in creation and performance from a macro point of view, and summarizes the style characteristics of sonata in creation and performance with creative techniques and performance elements as the entry point. The last chapter is the study of the artistic value of this set of works. In this chapter, from the perspective of the history of violin performance, the thesis summarizes the important value of the six accompaniment violin sonatas in techniques, styles and aesthetic concepts. This paper attempts to give an objective value evaluation on the position of this set of works in the history of violin art development.
【学位授予单位】：江西师范大学
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：J622.1

【共引文献】