西周丧葬仪式禁乐、作乐论争辨析

发布时间：2018-05-02 09:49

本文选题：丧葬 + 音乐　；参考：《中国音乐学》2011年04期

【摘要】："丧中禁乐"作为中国历史上一种重要的社会制度与道德规范,在西周时期最早进行制度与体系化。不仅居丧期间要严格禁乐,对于疾病时、亡者忌期以及天灾人祸等诸凶礼都要禁乐。对于禁乐的"乐"之类型,首先"歌"是被禁止的;其次就是"彻县"、"去琴瑟",即禁止任何形式的"作乐"行为。与此相对的,"丧中作乐"因素也在慢慢累积,如丧葬仪式中乐官与明器乐器的存在、并非所有"五服"内的生者都禁乐、在刚除丧时禁乐的不明确、"存乐"与"使工为之"的模糊概念、《诗经》记载的悼亡诗与挽歌、瞽蒙讽诵诗吟唱的琴瑟伴奏等,更由于"三礼"所载只是对居丧者禁乐,对丧葬仪式中是否可以用乐语焉不详,这些都为后世丧中禁乐、作乐之争议埋下了伏笔。
[Abstract]:As an important social system and moral standard in the history of China, funerals were first systematized in the Western Zhou Dynasty. It is not only strictly forbidden during mourning, but also forbidden during illness, natural and man-made disasters and so on. For the type of "music", the first "song" is prohibited, the second is "Chong County", "go to the harp", that is, prohibit any form of "music" behavior. In contrast, the factors of "music in mourning" are slowly accumulating. For example, in funeral ceremonies, not all living persons in the "five costumes" are prohibited from playing music, such as the existence of music officials and instruments of the Ming Dynasty. The ambiguous concepts of "keeping music" and "making work do it", the eulogy poems and elegy recorded in the Book of songs, the lyre accompaniment of blind mockery and recitation poems, and so on, are all the more because the "three Rites" contain only the prohibition of music to the bereaved. Whether music can be used in funeral ceremonies is unclear.
【作者单位】：中国艺术研究院;
【分类号】：J609.2

【共引文献】