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明清蒙古族音乐初步研究

发布时间:2018-05-02 20:23

  本文选题:明清 + 蒙古族 ; 参考:《福建师范大学》2006年硕士论文


【摘要】:明清时期是蒙古族音乐发展的重要历史时期,明清两代,蒙古族置身于截然不同的历史环境中,从疆域辽阔的元帝国统治者转变为只占领漠北边疆的北元政权,从游离于明代汉族统治的北元政权成为满清政府的边疆的重要成员。这些都与这一时期音乐的发展有着密切的关系。 退居漠北的北元政权作为较为独立于其它民族文化之外的政权以游牧的生产方式生活在大漠以北,促使这一时期蒙古族音乐的发展无论其内容还是体裁更多体现出蒙古民族音乐的特征,并形成了独具特色的长调风格歌曲。清代蒙古族音乐发展相对繁荣,多种音乐体裁得到恢复和发展,并且在与藏、汉民族音乐的交流中创造出一些新体裁、新风格的音乐形式。蒙古族音乐风格区经历了明清两代的巩固、细化,最终在清朝末年形成稳定、成熟的民族音乐风格区。 本文通过对明清蒙古族音乐进行了初步的梳理和研究,从发展、体裁、风格以及交流几方面的初步探讨了明清蒙古族音乐发展的脉络。力求较为真实、清晰的反映明清蒙古族音乐发展的历史概貌。
[Abstract]:The Ming and Qing dynasties was an important historical period for the development of Mongolian music. In the Ming and Qing dynasties, the Mongols were placed in a completely different historical environment, from the vast rulers of the Yuan Empire to the Northern Yuan regime, which only occupied the northern frontier of the desert. The Northern Yuan regime, which was ruled by the Han nationality in Ming Dynasty, became an important member of the Manchu government. These are closely related to the development of music in this period. The Northern Yuan regime, which retreated to the north of the desert, as a regime independent of other national cultures, lived in a nomadic mode of production north of the desert. The development of Mongolian music in this period reflects the characteristics of Mongolian folk music in terms of its contents and genres, and forms a unique long tone style song. The development of Mongolian music in the Qing Dynasty was relatively prosperous, and a variety of musical genres were restored and developed, and some new styles and styles of music were created in the communication with Tibetan and Han ethnic music. Mongolian music style area experienced the consolidation and refinement of Ming and Qing dynasties, and finally formed a stable and mature folk music style area in the late Qing Dynasty. This paper discusses the development of Mongolian music in the Ming and Qing dynasties by combing and studying the Mongolian music in Ming and Qing dynasties from the aspects of development, genre, style and communication. Strive to be more true, clearly reflect the history of the development of Mongolian music in Ming and Qing dynasties.
【学位授予单位】:福建师范大学
【学位级别】:硕士
【学位授予年份】:2006
【分类号】:J609.2

【引证文献】

相关博士学位论文 前1条

1 徐欣;内蒙古地区“潮尔”的声音民族志[D];上海音乐学院;2011年

相关硕士学位论文 前2条

1 金磊鑫;蒙古族风格歌曲的创作与演唱[D];南京艺术学院;2010年

2 赵伟晶;蒙古族长篇叙事民歌《嘎达梅林》及其音乐文化研究[D];中央民族大学;2010年



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