贝多芬晚期五首钢琴奏鸣曲的创作特征和演奏研究

发布时间：2018-05-03 00:12

本文选题：贝多芬 + 晚期钢琴奏鸣曲　；参考：《西南大学》2006年硕士论文

【摘要】：路德维希·凡·贝多芬(ludwig van Beethoven 1770-1827)，是德国伟大的作曲家。他创作的32首钢琴奏鸣曲在钢琴艺术史中占有独一无二的位置，他把钢琴奏鸣曲这一形式发展到了一个新的高峰，提高了钢琴奏鸣曲的艺术表现力。他的钢琴奏鸣曲是每位学琴者的必修课程，也是钢琴家的必演曲目。作为古典乐派最后一为大师，各国学者对贝多芬的研究热潮从未间断，有关贝多芬的论述和著作不计其数。长期以来，，贝多芬的早期和中期钢琴奏鸣曲以其英雄性为世人所认同，对晚期奏鸣曲风格的理解则有所困难，弹奏他的晚期作品也成了一件棘手的事。本文通过对古今中外贝多芬文献的资料收集，在对钢琴奏鸣曲的纵向发展概况以及对贝多芬早期和中期钢琴奏鸣曲横向研究的基础上，以贝多芬晚期5首钢琴奏鸣曲为对象，从创作背景、创作特征等方面进行较为深入的理论分析，并综合诸多演奏家和笔者演奏的实践，对贝多芬钢琴奏鸣曲的演奏进行诠释，在此基础上为更好的演奏其作品提供帮助，并为今后的教学工作提供一点参考。全文主要分为三大部分：第一部分介绍奏鸣曲的历史发展，贝多芬钢琴奏鸣曲的地位及三个时期。第二部分介绍贝多芬晚期钢琴奏鸣曲的创作背景和创作特征，对作品曲式结构、调性与和声、赋格、旋律等方面进行研究。第三部分从弹奏速度、力度的分析、旋律的处理、装饰音的弹奏、踏板的运用等方面进行演奏技巧的研究，进一步深化对贝多芬晚期钢琴奏鸣曲的理解，并通过不同演奏家的演奏表现，分析贝多芬晚期钢琴奏鸣曲音乐表现上的多样性和丰富性，加深对作品的理解。
[Abstract]:Ludwig van Beethoven was a great German composer. His 32 piano sonatas play a unique role in the history of piano art. He develops the form of piano sonata to a new peak and improves the artistic expression of piano sonata. His piano sonata is a compulsory course for every pianist and a required repertoire for pianists. As the last master of classical music school, scholars from all over the world have never stopped studying Beethoven, and there are countless works about Beethoven. For a long time, Beethoven's early and intermediate piano sonatas have been recognized by the world for their heroism, but it is difficult to understand the style of late sonatas. Based on the data collection of Beethoven's literature, the vertical development of piano sonatas and the horizontal study of Beethoven's early and middle piano sonatas, this paper takes five piano sonatas in the late period of Beethoven as the object. From the background of creation, creative characteristics and other aspects of a more in-depth theoretical analysis, and integrated with the practice of many performers and the author, Beethoven piano sonata performance interpretation, On this basis for better performance of his works to provide help, and for the future teaching work to provide a little reference. The first part introduces the historical development of sonata, the position and three periods of Beethoven's piano sonata. The second part introduces the background and characteristics of Beethoven's late piano sonatas, and studies the structure, tonality and harmony, fugue, melody and so on. In the third part, from the aspects of the speed of playing, the analysis of intensity, the treatment of melody, the playing of decorative sound and the application of pedals, the author makes a further study on the performance skills, and further deepens the understanding of Beethoven's late piano sonatas. The diversity and richness of Beethoven's late piano sonatas are analyzed through the performance of different performers, so as to deepen the understanding of his works.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J624.1

【引证文献】