柴科夫斯基音乐美学思想的“前见”探究

发布时间：2018-05-03 04:18

本文选题：柴科夫斯基 + 音乐美学思想　；参考：《上海音乐学院》2006年硕士论文

【摘要】：所谓“前见”是当代西方哲学中的“哲学诠释学”的理论范畴之一。本文将以此作为研究视角的切入点与理论工具，在柴科夫斯基音乐美学思想的研究中对之加以应用和验证。在此，本文试图以柴科夫斯基的乐评文本为解读对象，探询其音乐美学思想所赖以产生的语境与其中可能含有的“前见”，并在当代诠释学的理论视域中对这些“前见”进行评析。同时，，本文也试图在操作的层面上对如何将这一理论工具应用于音乐美学思想的解读进行进一步探索。本文的主要内容如下：第一章中，本文对“前见”在其所属的“哲学诠释学”论域内的理论内涵及与之相关的理论主旨进行了总结梳理。本文的第二章以柴科夫斯基的乐评文本为解读对象，对其中所体现的柴科夫斯基的音乐美学思想进行了归纳梳理，以之作为后文“前见”解析的文本现象。在第三章中，本文以现有的文本现象及相关资料为依据，对柴科夫斯基音乐美学思想之“前见”的各种构成要素进行了实证层面的探究。在第四章中，本文对柴科夫斯基音乐美学思想中的“前见”进行了两个层面的解析，即：首先在原理论的视域内，将“前见”在原理论中的实证性成分与思辨意义引入柴科夫斯基音乐美学思想的解读。其次，本章就如何在操作的层面上将“前见”作为理论工具具体应用于音乐美学思想的解读展开了进一步探索：即对柴科夫斯的音乐美学思想与其“前见”的构成要素之间的对应关系进行了探究，并由之提出了一系列尝试性的探究方法与步骤。在结语中，本文对研究所取得的初步成果及在研究中遇到的问题进行了总结与反思。
[Abstract]:Preview is one of the theoretical categories of philosophical hermeneutics in contemporary western philosophy. This paper will use this as a starting point and a theoretical tool in the study of Tchaikovsky's music aesthetics. In this paper, we try to take Tchaikovsky's music review text as the reading object, and probe into the context on which Tchaikovsky's music aesthetic thought is based and the "previous views" which may be contained in it. And in the contemporary hermeneutics theory field of view to these "previous views" to carry on the appraisal. At the same time, this paper attempts to further explore how to apply this theoretical tool to the interpretation of music aesthetics. The main contents of this paper are as follows: In the first chapter, this paper summarizes the theoretical connotation and related theoretical purport of "foresight" in its philosophical hermeneutics. The second chapter takes Tchaikovsky's music review text as the reading object, summarizes and combs Tchaikovsky's music aesthetics thought embodied in it, and regards it as the text phenomenon of the analysis of "see before". In the third chapter, based on the existing text phenomena and related materials, this paper explores the elements of Tchaikovsky's musical aesthetics. In the fourth chapter, this paper analyzes the "foresight" in Tchaikovsky's musical aesthetics from two aspects: firstly, in the perspective of the original theory, This paper introduces the empirical elements and speculative meanings of the former view into Tchaikovsky's musical aesthetics. Secondly, This chapter further explores how to apply "foresight" as a theoretical tool to the interpretation of music aesthetic thought: namely, it makes a further exploration on Chaikovs' musical aesthetics thought and the constituent elements of his "foresight". To explore the corresponding relationship between, And put forward a series of tentative inquiry methods and steps. In the conclusion, this paper summarizes the preliminary achievements and the problems encountered in the research.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J601

【引证文献】