德昂族情歌“阿坡翁”当代发展变异状况的考察与研究

发布时间：2018-05-03 12:15

本文选题：云南 + 德宏　；参考：《民族艺术研究》2011年01期

【摘要】："阿坡翁"是德宏地区德昂族中流行最广的一种民歌歌种,此类民歌一般为群体对唱;并且在长期的歌唱实践中,逐渐形成了一种对唱双方都含有一个领唱、随唱过程,在此基础上再相互应和的、较为独特的演唱方式。按本地德昂族的传统婚恋习俗,每一个社会成员从恋爱到婚姻的过程中,约需经过"山野对唱初识、竹楼笙歌寻偶、婚前相讴送嫁和婚礼众歌往贺"四个具体阶段,其中所唱的"阿坡翁"涉及了原生形态与次生形态(乃至再生形态)等不同文化演生层次,在特定的族群文化中,这两种(或三种)形态类型都有自己特定的功能作用和应用场合。从演唱方式看,"阿坡翁"除了是一种灵活、便利的群体表演、创作机制,具有独特的审美艺术特性之外,还是一种较为独特的音乐传承方式。
[Abstract]:"Apognon" is one of the most popular folk songs in the Dehong ethnic group. This kind of folk song is usually sung in groups. In the long period of singing practice, it has gradually formed a kind of duet both of which contain a lead song, which is accompanied by the singing process. On the basis of this, there is a more unique way to sing in harmony with each other. According to the traditional customs of marriage and love of the local de Aung San nationality, each member of the society needs to go through four specific stages from love to marriage, from the first acquaintance of the mountain and field, the bamboo tower Sheng song to the mate, the premarital marriage and the wedding song. The song "Apognon" involves different levels of culture, such as primary form and secondary form (and even regenerative form), in particular ethnic cultures. Both (or three) morphological types have their own specific functional roles and applications. From the perspective of singing style, "Alpognon" is not only a flexible, convenient group performance, creative mechanism, with unique aesthetic characteristics, but also a more unique way of music inheritance.
【作者单位】：中央音乐学院;
【基金】：2006年度教育部人文社会科学研究规划项目“中国南亚语系民族音乐的系统研究”,批准号:06JA760021
【分类号】：J607

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