美声唱法与蒙古族长调歌唱艺术之比较研究与借鉴

发布时间：2018-05-05 12:56

本文选题：蒙古长调 + 传统韵味　；参考：《首都师范大学》2006年硕士论文

【摘要】：蒙古族长调以其非凡的艺术魅力及独特风格在世界艺术舞台上闪闪发光，并越来越被世人所认知和喜爱。她是蒙古族民间传统艺术的瑰宝，也是世界音乐之林中的奇葩。可是由于社会历史等多种原困，对于这种悠久的艺术成果，一直没有进行很好的研究和整理，又由于我们的歌唱经验一直处于口传心授的阶段，没有形成系统的、科学的演唱方法教学理论体系，很多宝贵的歌唱经验难以保留下来，所以探索蒙古族长调的科学演唱方法是一个亟待解决的问题。历史实践证明，任何一个民族的文化，在其发展的进程中，一方面继承自己的传统，另一方面吸收外来文化，都是在吸收、借鉴、融合中得到发展的。作为蒙古民族艺术瑰宝的长调，要使它焕发出更加夺目的光彩，使之跻身于世界艺术的巅峰行列，有必要在全面继承的基础上不断地进行探索研究。就这一点来说，比较研究美声学派和蒙古族长调演唱艺术的产生和发展轨迹，对长调的存在和发展具有很大的启示和借鉴意义。本文分五部分：第一部分：蒙古族长调和意大利美声唱法的历史渊源及在中国的发展状况。这一部分通过介绍蒙古族长调和美声唱法的历史渊源，交代了蒙古族长调有着比美声更为悠久的历史，和有待繁荣发展的现状，而美声凭着三百多年的历史积淀就走向世界，被公认为是科学的歌唱方法，通过对二者的比较，探寻长调发展的途径。第二部分：蒙古族长调与美声唱法独特的文化内涵。对于任何新事物的生成及发展来说都离不开一定的社会因素，这些社会因素包括一定的历史时代的政治经济文化乃至每个民族特定传统的文化审美，风俗习惯，民族语言，人文精神等，文学、美术如此，音乐亦如此。通过两种文化的比较有助于我们认清两种艺术形态的产生、形成及发展的环境。第三部分：长调与美声演唱艺术的审美传统和情感表现方式。形式取决于内容。由于时代与文化的差异，中国歌曲与西洋歌曲有着不同的风格。长调与美声演唱艺术迥然不同的风格是源于现实生活。准确把握歌曲的不同风格，对于我们演唱好中国歌曲是至关重要的。本部分通过对两种艺术表现形式的审美传统和情感表现方式的分析，深入探讨美声唱法和长调艺术的风格构成要素。第四部分：蒙古族长调与意大利美声唱法之艺术比较。这一部分主要从三个方面分别论述了美声唱法和蒙古族长调唱法的特点、共性，以及借鉴美声唱法发展长调演唱方法的可行性。第五部分：对于借鉴美声唱法弘扬长调艺术的思考本部分论述了长调唱法借鉴美声唱法的具体问题，强调蒙古族长调演唱艺术是处在继承发展的过程中，，我们既要发扬民族传统优秀文化，又要吸收借鉴美声科学唱法，以便更好地推进我国民族声乐的发展，我们可以借鉴美声学派的发展道路，为蒙古族长调艺术的发展开拓新境界。
[Abstract]:The Mongolia ethnic long tune is glittering in the world art stage with its extraordinary artistic charm and unique style, and is more and more recognized and loved by the world. She is a gem of the traditional Mongolian folk art and a wonderful flower in the forest of world music. There is a good study and arrangement, and because our singing experience is always in the stage of oral and oral teaching, there is no systematic, scientific singing method teaching theory system, many valuable singing experience is difficult to retain, so exploring the scientific singing method of Mongolia ethnic long tune is a problem to be solved urgently. It is proved that the culture of any nation, in the course of its development, has inherited its own tradition on the one hand, and on the other hand it has been developed in the absorption, reference and integration. As a long tune of the national art treasure of Mongolia, it is necessary to make it shine more glorious and make it the top of the world art. On the basis of comprehensive inheritance, we should continue to explore and research. As to this point, the comparison and study of the production and development of the singing art of the sect and Mongolia ethnic long tune has great enlightenment and reference for the existence and development of long tune. This paper is divided into five parts:
The first part: the historical origin of Mongolia clan long and Italy canto in China and its development in China. Through the introduction of the historical origin of the Mongolia clan long and bel canto in China, this part explains the long history of the Mongolia clan long tune, which has a longer history than the beauty sound, and the status that needs to be flourishing and development, while the beauty of the American voice is with the history of more than 300 years. When the lake goes to the world, it is generally regarded as the singing method of science. Through the comparison of the two, it explores the way of long tune development.
The second part: the unique cultural connotation of the Mongolia ethnic long tune and the canto of the sings. For the generation and development of any new thing, it can not be separated from certain social factors. These social factors include the political and economic culture of a certain historical era, as well as the cultural aesthetic, custom, national language and humanistic spirit of each national specific tradition. Literature, art and music are the same. Through the comparison of the two cultures, we can see clearly the emergence, formation and development environment of the two forms of art.
The third part: the aesthetic tradition and emotional expression mode of the long tune and the ESUs singing art. The form depends on the content. Because of the difference between the times and the culture, the Chinese songs have different styles from the Western songs. The different styles of the long tune and the art of singing are from the real life. It is very important to sing Chinese songs well. Through the analysis of the aesthetic traditions and emotional expressions of the two forms of artistic expression, this part explores the elements of the style of the canto and the art of long tune.
The fourth part: the comparison between the Mongolia ethnic long tune and the art of the Italy sings. This part mainly discusses the characteristics and commonness of the canto and the Mongolia long tune singing from three aspects, as well as the feasibility of developing a long tune singing method by using the sound of the sound of sound.
The fifth part: Thinking of using the bel canto method to promote the art of long tune.
This section expounds the specific problems of the long tune singing method for reference to the sound of the sound of sound, emphasizing that the Mongolia ethnic long tune singing art is in the process of inheriting and developing. We should not only carry forward the national traditional culture, but also absorb and draw on the sound science singing method in order to better promote the development of national vocal music in our country. We can learn from the development of the sonic school. The road opens up new horizons for the development of the art of the Mongolia clan tune.

【学位授予单位】：首都师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J616.2

【引证文献】