试论多尼采蒂歌剧男高音风格及其对美声唱法的贡献

发布时间：2018-05-05 23:51

本文选题：多尼采蒂 + 美声唱法　；参考：《内蒙古师范大学》2006年硕士论文

【摘要】： 十九世纪是是大歌剧和喜歌剧在欧洲兴起的时代。在这一时期,涌现了大批的优秀歌剧作家和优秀作品。同时,美声唱法这种在很大程度上依托歌剧创作而得以发展的歌唱方法也得到了很大的发展,出现了继由阉人歌手开创的“美声唱法黄金时期”之后的又一繁荣时期。尤其是男高音,在这一时期作为歌剧中的主要角色扮演者真正的发展了起来。在这中间,意大利的歌剧作家多尼采蒂以其大量的优秀作品对美声唱法的发展作出了突出贡献。但是,目前学界的研究目光大都聚焦在威尔弟、普契尼、瓦格纳等现实主义歌剧作者身上,对多尼采蒂的歌剧创作一般只给予普通音乐史学上的关注。这在很大程度上忽视了多尼采蒂歌剧创作对美声唱法尤其是男高音声部的发展所作出的贡献。本文从多尼采蒂歌剧创作中的男高音角色入手,通过对多尼采蒂歌剧创作中男高音唱段的创作风格、演唱技巧要求进行分析,进而总结出多尼采蒂歌剧创作对美声唱法男高音发展所作的贡献。全文共分为三个部分,第一部分主要结合十九世纪意大利的政治、文化形式,介绍多尼采蒂生平及其创作概况。第二部分,通过对多尼采蒂歌剧创作中的男高音角色及其代表唱段的介绍和分析,总结出多尼采蒂歌剧创作的艺术风格、特点。第三部分,从技术层面上分析多尼采蒂歌剧男高音唱段的演唱技术要求从而总结多尼采蒂歌剧创作对美声唱法的贡献。通过本文的介绍和分析,笔者希望能够以尚现肤浅的笔触,为和笔者一样的男高音学习者们提示一种威尔弟、普契尼以外的,自然的、淳朴的、更接近美声唱法最纯粹技术要求的演唱风格。同时也希望学界能够给予多尼采蒂及其同时期的歌剧创作以更多的注意,进一步完善和发展我们对美声唱法的理解和运用。
[Abstract]:The nineteenth century was the rise of grand opera and happy opera in Europe. In this period, a large number of excellent opera writers and works emerged. At the same time, the singing method of Bel Canto, which depends on opera creation to a great extent, has also been greatly developed, and there has been another prosperous period after the "Golden Age of Bel Canto" initiated by eunuchs. Tenor in particular, in this period as the main role in opera really developed. In the meantime, Italian playwright Donizetti made outstanding contribution to the development of Bel Canto with his great works. However, most of the current academic research focused on realistic opera writers such as Wildi, Puccini, Wagner and so on. To a great extent, Donizetti's operas contributed to the development of Bel Canto, especially tenor. This article starts with the tenor role in Donizetti's opera creation, through the analysis of the tenor's creation style and the singing skill request in Donizetti's opera creation, Then summed up Donizetti's opera creation to the Bel canto tenor development. This paper is divided into three parts. The first part introduces Donicetti's life and creation with the political and cultural forms of the 19th century. The second part summarizes the artistic style and characteristics of Donizetti's opera creation through the introduction and analysis of the tenor role and its representative choir in the creation of Donizetti's opera. The third part analyzes the technical requirements of Donizetti's opera tenor from the technical level and summarizes the contribution of Donizetti's opera creation to the Bel Canto. Through the introduction and analysis of this paper, the author hopes to be able to use the superficial strokes, for the tenor learners like me to suggest a kind of Wildi, Puccini, natural, simple, Closer to the singing style of the Pure Technical requirements of Bel Canto. At the same time, it is hoped that the academic circles will pay more attention to Donizetti and his opera creation in the same period, and further improve and develop our understanding and application of the canto.
【学位授予单位】：内蒙古师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J616.2

【同被引文献】