浅论二胡与二胡艺术的民族性特征

发布时间：2018-05-06 20:05

本文选题：二胡 + 二胡艺术　；参考：《湖南师范大学》2006年硕士论文

【摘要】：二胡作为我国最具民族特色的弓弦乐器,深受人们的喜爱和欢迎,然而在当今东西方音乐文化激烈碰撞的大环境下,其表演和创作都不同程度的出现了“洋”化的倾向。本文的研究目的就是通过梳理二胡的源流、自身特点以及二胡艺术的特征来说明和阐发二胡与二胡艺术的民族性特征。并在此基础上对当代二胡创作和表演的一些现象做一番考察,提出一定的建议。本文研究的理论意义在于通过对二胡与二胡艺术民族性特征的探讨,为二胡教学、二胡演奏以及二胡音乐的创作都提供了一个基本的理论依据。研究的现实意义在于:为二胡曲目创作者和演奏者更好的创新和表现提供一个理论指导。本文主要通过历史性检索,顺着二胡的历史发展源流,勾勒出二胡的民族传承轨迹;共时性考察,以典型分析的方法,概括出二胡的民族审美特征;对比研究,把二胡与西洋乐器、音乐作为对比,理清其民族性特征。并认为,二胡和二胡艺术的民族性特征是我国民族的语言特点、审美观念及民族民间音乐等多方面因素综合影响下的产物,具有其独特性、传承性与融合性,具体表现在:二胡的产生及其自身的特点;二胡音乐作品的音乐语言;二胡的演奏手法三方面。而当代二胡创作和表演中出现的西洋化趋势在某种程度上就是忽视了其自身民族性特征的表现。
[Abstract]:Erhu, as the most national characteristic instrument of our country, is deeply loved and welcomed by people. However, under the environment of the violent collision of music culture between East and West, the performance and creation of erhu have appeared the tendency of "Westernization" in different degrees. The purpose of this paper is to explain and elucidate the national characteristics of erhu and erhu art by combing their origins, their own characteristics and the characteristics of erhu art. On the basis of this, some phenomena of contemporary erhu creation and performance are investigated, and some suggestions are put forward. The theoretical significance of this study is to provide a basic theoretical basis for erhu teaching, erhu performance and the creation of erhu music through the discussion of the national characteristics of erhu and erhu art. The practical significance of the study is to provide a theoretical guide for the creators and performers of erhu songs to innovate and perform better. This article mainly through the historical retrieval, along with the historical development of erhu, outlines the national heritage track of erhu; synchronic investigation, with the method of typical analysis, summed up the national aesthetic characteristics of erhu; comparative study, Erhu and Western musical instruments, music as a comparison, to clarify its national characteristics. It is considered that the national characteristics of erhu and erhu art are the product of the comprehensive influence of many factors, such as the language characteristics, aesthetic concepts and folk music of our nation, and have their uniqueness, inheritance and integration. It is embodied in the following three aspects: the emergence of erhu and its own characteristics, the musical language of erhu music works and the performance techniques of erhu. To some extent, the Westernization trend of contemporary erhu's creation and performance neglects its own national characteristics.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J632.21

【引证文献】