鄂尔多斯蒙古族短调民歌与漫瀚调音乐形态比较研究

发布时间：2018-05-07 23:08

本文选题：鄂尔多斯蒙古族短调民歌 + 漫瀚调　；参考：《内蒙古师范大学》2014年硕士论文

【摘要】：在鄂尔多斯这片历史悠久、文化灿烂的土地上，孕育了鄂尔多斯独特的民间音乐文化。鄂尔多斯民歌曲调丰富，种类多样，风格迥异，它同其他民间艺术形式一样，是我国璀璨的民间艺术瑰宝中一朵靓丽的奇葩，也是底蕴深厚的鄂尔多斯民间文化遗产中不可或缺的重要组成部分。本文以鄂尔多斯蒙古族短调民歌和漫瀚调为对象进行比较研究，其中，鄂尔多斯蒙古族短调民歌是伴随着蒙古民族成长起来的，它是千百年来蒙古族人民劳动和智慧的结晶。从山林狩猎时期原始古朴的风格，到清末蒙汉民族大融合后形成的节奏欢快、调性明朗、结构短小、句法整齐、旋律优美的风格特征，鄂尔多斯蒙古族短调民歌经历了一代代蒙古族人民的传承和发展，形成了独特的音乐风格和艺术特征。而漫瀚调产生于蒙古族和汉族杂居，人口稀少且较为分散的半农半牧地区，发祥于鄂尔多斯准格尔旗，从清代后期产生发展至今，已有150年至200年的历史。一百多年来，蒙汉人民共同生活发展、繁衍生息，在相互交流融合的环境中，鄂尔多斯蒙古族短调民歌和陕北、晋西北及周边地区的“信天游”、“爬山调”及“二人台”这些音乐形式相互交融吸收，形成了曲调明快，结构整齐，腔调潇洒豪放，旋律朴实优美，兼有蒙汉民族特色的漫瀚调。它可以表达热情奔放、激情高昂的炽烈情感，也可以塑造出舒展洒脱和深沉委婉的音乐形象。漫瀚调是地方性比较强的民歌，这里特殊的丘陵地理环境和蒙汉民族共同居住的生活环境，是构成漫瀚调这一地方歌种的地理条件和人文条件。准格尔旗是“漫瀚调”的故乡，“漫瀚调”是准格尔旗的特产，由此准格尔旗被国家文化部命名为“中国民间艺术（漫瀚调）之乡”。这一歌种既体现了鄂尔多斯蒙古族传统短调民歌的特点，又融合了汉族的音乐艺术风格和准格尔旗的地方语言，形成了独特的音乐风格。文章结合实例，，通过对鄂尔多斯蒙古族短调民歌和漫瀚调的音阶调式、节奏节拍、曲式结构和旋律发展分别进行重点分析，又从鄂尔多斯蒙古族短调民歌到漫瀚调的衍变中分析二者的异同，按照民族五声调式归类，对二者的音乐形态进行比较研究，找到了鄂尔多斯蒙古族短调民歌和漫瀚调之间的渊源关系。
[Abstract]:Ordos has a long history and splendid culture, giving birth to Ordos unique folk music culture. Ordos folk songs are rich in tunes, diverse in variety, and very different in style. Like other forms of folk art, Ordos is a beautiful flower among the splendid treasures of folk art in our country. It is also an indispensable part of Ordos folk cultural heritage. This paper takes the Mongolian folk songs of Ordos as the objects of comparative study. Among them, the Mongolian folk songs of Ordos are growing up along with the Mongolian nationality, and it is the crystallization of the labor and wisdom of the Mongolian people for thousands of years. From the primitive primitive style of the hunting period of the mountain forest to the style characteristics of the rhythm, the clarity of the tone, the short structure, the neat syntax and the beautiful melody formed after the great fusion of the Han nationality in the late Qing Dynasty, The Mongolian folk songs in Ordos have been inherited and developed from generation to generation, forming unique musical style and artistic characteristics. Manhandiao came into being in the semi-rural and semi-pastoral areas where the Mongolian and Han nationalities live together and the population is sparse and scattered. It has a history of 150 years to 200 years since the late Qing Dynasty when it came into being and developed in the Zhungeer Banner of Ordos. For more than one hundred years, the Mongolian and Han peoples have lived together and thrived. In an environment of mutual exchange and fusion, the Mongolian people of Ordos have made short tunes of folk songs and "Xintian tours" in northern Shaanxi, northwest Shanxi and the surrounding areas. The musical forms of "climbing tune" and "two people's station" blend and absorb each other, forming a melodious tune with bright and neat structure, unrestrained tone, simple and beautiful melody, and the Manghan tune with Mongolian and Chinese national characteristics. It can express passionate, passionate intense emotion, but also can create a relaxed and deep music image. Manhandiao is a relatively strong local folk song. The special hilly geographical environment and the living environment of the Mongolian-Han nationality are the geographical conditions and humanistic conditions of the local songs. Zhungeer Banner is the hometown of Man Hanyao, which is the specialty of Zhungeer Banner. Therefore, Zhungeer Banner is named "the hometown of Chinese Folk Art (Manhanpai)" by the Ministry of Culture. This kind of song not only embodies the characteristics of Ordos Mongolian traditional short tune folk songs, but also combines the music art style of Han nationality and the local language of Zhungeer Banner, and forms a unique musical style. Combined with an example, this paper focuses on the scale, rhythm, structure and melody development of the Mongolian folk songs of Ordos and Manhandi. From the evolution of Mongolian folk songs to Man Han's folk songs, the similarities and differences between them are analyzed, and their musical forms are compared and studied according to the national five tone patterns. Found the origin of Ordos Mongolian folk songs and Man Han tune.
【学位授予单位】：内蒙古师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J607

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