龙州天琴传统工艺及其保护研究

发布时间：2018-05-08 11:57

本文选题：天琴 + 传统工艺　；参考：《云南农业大学》2013年硕士论文

【摘要】：天琴，壮族弹拨乐器，也叫“叮、鼎”，有着悠久的历史和独特的外形。在龙州壮族人民的生产生活中承载着丰富的文化内涵，是壮族人民对“天”的信仰和凝聚信念的精神依归。天琴传统工艺凝聚着壮族人民的纯朴智慧和深厚的文化底蕴，从万物有灵的观念到祈福禳灾的信仰，让这个古老的法器代代相传。随着“天琴女子弹唱组合”知名度的渐渐提升，天琴传统工艺与社会角色的变迁赋予了天琴新的生存语境，同时，现实的乡土社会中，天琴文化生存的土壤受到破坏，在现代化文明的冲击下，天琴传统工艺缺乏年轻一代的继承人，新老无法正常更替，，这一传统工艺已岌岌可危。本文采用文献法与科技人类学调查法，先后三次到田野点调查，对乡土社会及都市社会中的天琴制作人、当地村民、艺术人员及政府工作人员分别进行深入访谈，对天琴传统工艺的流程进行参与式研究。论述了龙州天琴传统工艺中文献记载与民间传说的历史来源；从制作选材到制作成型的全部过程；法器、乐器、礼器三重身份的变迁价值；在都市社会与乡土社会中不同的传承方式以及它们背后蕴含的传统文化。基于上述研究，提出应在政府的指导下，培养民族对传统文化的自豪感，立足于本民族文化用长远的眼光对天琴传统工艺进行保护与发展。本研究旨在从科技史角度填补天琴传统工艺的历史空白，丰富天琴文化的内容，对申请国家非物质文化遗产、弘扬我国传统文化发挥一定作用。
[Abstract]:Tianqin, a plucked musical instrument of Zhuang nationality, also called Ding, Ding, has a long history and unique shape. It bears rich cultural connotations in the production and life of the Zhuang people in Longzhou, and is the spirit of the belief and cohesion of the Zhuang people in "Heaven". The traditional craft of the Tianqin embodies the simple wisdom and profound cultural information of the Zhuang people, from the concept of animism to the belief of praying for disaster, so that this ancient instrument can be passed down from generation to generation. With the increasing popularity of the Tianchin Women's singing Group, the traditional arts and crafts of Tianqin and the changes of social roles have given Tianqin a new survival context. At the same time, in the real local society, the soil for the existence of Tianqin culture has been destroyed. Under the impact of modern civilization, the traditional craft of Tianqin lacks the heirs of the younger generation, and the old and the new can not be replaced normally. This traditional craft is already in jeopardy. This article adopts the literature method and the science and technology anthropology investigation method, successively goes to the field spot investigation three times, carries on the in-depth interview to the local society and the urban society in the Tianqin producer, the local villagers, the artistic personnel and the government staff separately, A participatory study of the traditional process of Tianqin was carried out. This paper discusses the historical sources of documentation and folklore in the traditional arts and crafts of Tianqin in Longzhou, the whole process from making material selection to making forming, the changing value of the triple identity of French ware, musical instrument and ritual instrument, and the historical origin of folklore and folklore in Longzhou Tianqin. In urban society and local society, different ways of inheritance and the traditional culture behind them. Based on the above research, it is suggested that under the guidance of the government, the pride of the nation over the traditional culture should be cultivated, and the traditional arts and crafts of the Tianqin should be protected and developed with the long-term vision of the national culture. The purpose of this study is to fill the historical blank of Tianqin traditional craft from the point of view of the history of science and technology, enrich the content of Tianqin culture, and play a certain role in applying for the national intangible cultural heritage and carrying forward the traditional culture of our country.
【学位授予单位】：云南农业大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J632.3

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