普罗科菲耶夫《C大调第九钢琴奏鸣曲》演奏研究

发布时间：2018-05-09 19:56

本文选题：普罗科菲耶夫 + 第九钢琴奏鸣曲　；参考：《武汉音乐学院》2013年硕士论文

【摘要】：钢琴音乐是普罗科菲耶夫音乐创作的一个重要领域，，其中九首钢琴奏鸣曲的创作几乎形成了贯穿作曲家一生的脉络。第九钢琴奏鸣曲被誉为普罗科菲耶夫“奏鸣曲体裁中的天鹅之歌”。这首作品融合了作曲家回归自然的音乐创作风格和青年时代独特的艺术创作手法，高度地体现了普罗科菲耶夫所追求的“升华的朴素”的创作思想。本文以《第九钢琴奏鸣曲》为研究对象，参照作曲家音乐创作的“四条线”：1、古典线，2、现代线，3、托卡塔线，4、抒情线，并通过对作品的曲式结构、主题、音乐内容以及演奏技巧等方面的研究，论证了在这首作品中所体现的普罗科菲耶夫晚年音乐创作“回归”与“综合”的特征，在重新树立抒情性曲风的同时依然保持了作曲家成熟且具有个性化的和声语言。本文的重点在于通过对音乐内容和演奏技巧分析的基础上，针对这首作品的演奏作“整体”和“重点”的设计与阐释。
[Abstract]:Piano music is an important field of Prokofyev's music creation, in which the creation of nine piano sonatas almost forms the whole life of the composer. The ninth piano sonata is known as the Swan Song in the Sonata genre of Prokofyev. This work combines the composer's return to the natural style of music creation and the unique artistic creation techniques of his youth, and highly embodies Prokofyev's "sublimated simplicity" creative thought. This article regards the ninth piano sonata as the research object, referring to the composer's "four lines": 1: 1, classical line 2, modern line 3, Tokata line 4, lyric line, and through the composition of the composition structure, theme, The study of music content and performance skills demonstrates the characteristics of Prokofyev's musical creation in his later years, such as "return" and "synthesis". While re-establishing the lyric style, it still keeps the composer's mature and individualized harmony language. This paper focuses on the design and interpretation of "whole" and "Keystone" on the basis of the analysis of music content and performance skills.
【学位授予单位】：武汉音乐学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J624.1

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