巴罗克时期的意大利小提琴音乐文化探析

发布时间：2018-05-10 11:04

本文选题：巴罗克 + 意大利　；参考：《湖南师范大学》2006年硕士论文

【摘要】： 巴罗克时期人文主义思潮、情感论音乐美学思想为意大利小提琴音乐文化的产生奠定了理论基础；科技的发展、乐器制作工艺的进步为其提供了物质准备；同时，作曲家、理论家、演奏家对其发展起着举足轻重的作用，使这一时期的意大利小提琴音乐文化得到逐步发展。这一时期，意大利小提琴音乐的发展对器乐音乐从声乐、舞蹈伴奏的附庸地位摆脱，，最终独立出来，使其与声乐具有同等重要的地位起着催化作用。它是同时期小提琴音乐的杰出代表，并对当时欧洲各国的小提琴音乐的发展具有决定性的作用。它不仅有力地促进了乐器制作工艺的进步，而且对欧洲器乐音乐的发展具有深远的影响。对特定时代乐器本体的形制演变、器乐文化发展脉络的考证，有利于对这一时期音乐文化的发展状况以科学、辩证的定位。巴罗克时期的意大利小提琴音乐，在欧洲音乐史上具有十分重要的地位。对它的研究，不仅有助于对小提琴艺术的发展有更深层的了解，也有助于理清这一时期音乐发展与社会文化和审美心理等的相互关系，并对欧洲音乐文化的发展趋向以新的认识。本文尝试从文化学、音乐史学、音乐美学和音乐心理学等视角，研究巴罗克时期提琴制作业与小提琴音乐文化在意大利的发展，及其对欧洲各国小提琴艺术、器乐音乐文化乃至世界音乐文化发展的影响。并通过对这一时期意大利小提琴形制文化、音乐文化发展与社会发展、社会审美心理、社会意识等相互关系的探析，揭示出特定社会文化与音乐文化、意大利小提琴音乐文化与器乐音乐独立发展等关系的问题。
[Abstract]:The ideological trend of humanism in the period of Barok and the emotional theory of music aesthetics laid the theoretical foundation for the creation of the violin music culture in Italy; the development of science and technology and the progress of the instrument making technology provided material preparation for it; at the same time, composers, theorists and performers played an important role in their development, and made the intention of this period. In this period, the development of the violin music culture was gradually developed. In this period, the development of the violin music in Italy was free from the appendage status of instrumental music from vocal music and dance accompaniment, and finally became independent and played a catalytic role in the same important position as vocal music. It was an outstanding representative of the violin music at the same time, and it was used in Europe at that time. The development of the country's violin music plays a decisive role. It not only promotes the progress of the musical instruments, but also has a profound influence on the development of the European instrumental music.
The evolution of the form of musical instruments in a particular era and the textual research of the development of instrumental culture are conducive to the scientific and dialectical orientation of the development of music culture in this period. The Italy violin music in the period of the Barok period has a very important position in the history of European music. The development has a deeper understanding and helps to clarify the relationship between music development and social culture and aesthetic psychology in this period, and a new understanding of the trend of the development of European music culture.
This article tries to study the development of Barok's violin production and violin music culture in Italy from the perspectives of culture, music history, music aesthetics and music psychology, and its influence on the development of the violin art, instrumental music culture and the world music culture in the European countries, and through the violin in this period of Italy. The relationship between the form culture, the development of music culture and the social development, the social aesthetic psychology and the social consciousness, reveals the relationship between the specific social culture and music culture, the independent development of the violin music culture and instrumental music in Italy.

【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J622.1;J609.546

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