禅宗智慧与二胡演奏之道

发布时间：2018-05-14 21:20

本文选题：二胡 + 禅宗　；参考：《湖南师范大学》2013年硕士论文

【摘要】：近些年来,二胡演奏的相关理论建设不足在很大程度上限制了二胡演奏的进一步发展。本文致力于借鉴禅宗智慧,结合二胡演奏的相关问题,建立一个较为系统的二胡演奏之道的理论形态。具体来说,二胡演奏必然涉及“人”、“技”、“人”与“技”的协调三个方面。所以笔者将二胡演奏之道的理论建设相应的分为三方面,从而有针对性的去读取和借鉴相关的禅宗智慧。首先,论及二胡演奏涉及的“人”,即二胡演奏者的相关问题。主要从禅宗白性说、禅定、自度说等出发建立二胡演奏者的个人风格、心性修养、情感问题等相关理论。其次,论及二胡演奏涉及的“技”,即二胡演奏技法的相关问题。致力于从南北宗禅法的不同特点出发,有针对的寻求二胡演奏技法的相关理论建设的启示。北宗禅法的启示主要在二胡演奏技法的训练和提升；南宗禅法的启示主要在二胡演奏技法的会心适意和法无定法的求追。最后,论及二胡演奏涉及的“人”“技”协调,即二胡的音乐表现的相关问题。主要从禅宗的破执说出发寻求启示,建立二胡音乐表现中人技协调的演奏状态的相关理论；从禅境的智慧出发去建立二胡音乐表现中的意境理论；从禅悟的智慧出发谋求建立二胡音乐表现的终极追求的相关理论。总的来说,禅宗智慧作为一种具有创造性的思维方式,具有很强的活力。借鉴禅宗智慧建立的二胡演奏之道可以为二胡的进一步发展提供一定的理论指引。
[Abstract]:In recent years, the lack of theoretical construction of erhu performance limits the further development of erhu performance to a great extent. This paper is devoted to using the wisdom of Zen sect for reference, combining with the related problems of erhu playing, to establish a more systematic theoretical form of erhu playing. Specifically, erhu performance must involve the coordination of "human", "technique", "human" and "technique". Therefore, the author divides the theory construction of erhu playing into three aspects, so as to read and draw lessons from the relevant Zen wisdom. First of all, the erhu performance involved in the "human", that is, erhu players related issues. Based on the theory of white nature, meditation and self-determination of Zen, the author establishes the theory of erhu player's personal style, mental accomplishment, emotional problems and so on. Secondly, the paper discusses the "technique" involved in erhu performance, that is, the related problems of erhu playing techniques. Based on the different characteristics of the North and South Zen, there are some enlightenments for the theoretical construction of erhu playing techniques. The enlightenment of Beizong Zen method mainly lies in the training and promotion of erhu playing technique, and the enlightenment of Nanzong Zen method mainly lies in the understanding of erhu playing technique and the pursuit of Dharma indeterminate method. Finally, the author discusses the coordination of human and technical performance, that is, the musical performance of erhu. Based on the theory of Zen, the author tries to establish the theory of harmonious performance of human and technology in erhu music, and the theory of artistic conception in the performance of erhu music from the wisdom of Zen, and from the wisdom of Zen to establish the theory of artistic conception in the performance of erhu music. Starting from the wisdom of Zen enlightenment, this paper seeks to establish the relevant theory of the ultimate pursuit of erhu music performance. In general, Zen wisdom, as a creative way of thinking, has a strong vitality. Drawing lessons from Zen wisdom can provide some theoretical guidance for the further development of erhu.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J632.21

【参考文献】