谭盾早期作品的技法与风格研究

发布时间：2018-05-15 03:31

本文选题：谭盾 + 早期作品　；参考：《上海音乐学院》2013年博士论文

【摘要】：任何一部音乐作品都无法把其“内容”与“外在”机械的、彻底的分离开来,自20世纪后,越来越多的作曲家将目光锁定在观念的新颖上,与之相辅的是现代音乐中技术与创作理念的贴合愈加的严丝合缝。在对此类作品分析时,我们不仅要关注其创作理念与创作技法的单一面,而更应该在对二者的认识中寻找“观念”与“形式”之间的关系。因此,贾达群教授根据20世纪后的音乐特点提出了“观念与形式化程序的对应”的分析手法,这也是他“结构分析学”中的一个子项目。谭盾是中国“先锋音乐”的重要代表人物,他极富创新意识,其作品有着多元化的特征,形成了东西方的交融、民族与世界的相合、文化与文化的对位。而交融的艺术手法、“有机音乐”与传统音乐的结合等等形式特征都源于他灵活新颖的创作观念与音乐文本间的对应。这种别具一格的特色在他早期作品就屡有显现,笔者从中选取四部以探索他风格的形成之路。论文分两个部分,绪论中是对贾达群教授“观念与形式化程序对应”的理念概述。第一章是对谭盾早期四部作品的分析,包括《道极》、《乐队剧场Ⅱ：Re》、《圆：为四个三重奏组、指挥和听众而作》、《死与火：与保罗·克利的对话》。第二章是谭盾作品中的人文理念与前卫性。本论题的研究,意图以观念与形式化程序相对应的分析手法,通过对谭盾早期作品的分析来透视其音乐风格的形成,以期对20世纪以来的音乐创作和理论建设提供新的线索和思路。
[Abstract]:No musical work can separate its "content" from "external" mechanically and completely. Since the 20th century, more and more composers have focused their attention on the novelty of ideas. Together with it is the modern music technology and creative ideas more and more close to the seam. In the analysis of this kind of works, we should not only pay attention to the single aspect of their creative ideas and techniques, but also look for the relationship between "ideas" and "forms" in their cognition. Therefore, according to the characteristics of music after the 20th century, Professor Jia Daqun put forward the analytical technique of "correspondence between concept and formal program", which is also a sub-project of his "structural analysis". Tan Dun is an important representative of "Pioneer Music" in China. He is full of innovative consciousness. His works have diversified characteristics, forming the blend of the East and the West, the harmony of the nation and the world, and the opposite of culture and culture. The blending of artistic techniques, the combination of "organic music" and traditional music, and so on, all stem from the correspondence between his flexible and novel creative ideas and musical texts. This unique feature has been shown repeatedly in his early works, from which the author chooses four to explore the formation of his style. This paper is divided into two parts, the introduction is an overview of Professor Jia Daqun's idea of "correspondence between concept and formal program". The first chapter is an analysis of four early works of Tan Dun, including Tao Pole, Orchestra II: re, Circle: for the four Trio groups, conductor and audience. "death and Fire: a Dialogue with Paul Klee". The second chapter is the humanistic idea and avantgarde in Tan Dun's works. The research of this thesis is intended to analyze the formation of Tan Dun's musical style through the analysis of his early works through the analysis of the concept and the formal program. In order to provide new clues and ideas for music creation and theoretical construction since the 20 th century.
【学位授予单位】：上海音乐学院
【学位级别】：博士
【学位授予年份】：2013
【分类号】：J614

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