歌唱的政治:中国革命歌曲中的地理、空间与社会动员

发布时间：2018-05-15 08:07

本文选题：流行歌曲 + 革命歌曲　；参考：《文艺研究》2011年03期

【摘要】：唱歌,既是一种最日常化的文化生产与娱乐行为,也是人类文化中最具有象征性的事务。不同类型的歌唱活动总是与特定的发声场所与交流环境有关,总是在内容与主题、旋律与节奏及配乐与传播等方面表达出特定的地理特征与空间意义。中国近现代自诞生新式歌曲以来,大量的地理意象作为重要审美对象,是与这一时期中国领土危机及巨大的社会空间变迁密切相关的。"边疆景观"与"辽阔性时空体验"是中国革命歌曲中的两种主要地理意象。前者被中共延安时期通过改编陕北民歌把延安塑造成能拯救危难中国的革命策源地;后者则被建构为中国国家领土丰富性、完整性及各种总体性社会运动得以在此发生的自然基础。本文认为,歌曲中大量地理因素的涌现,正是中国政治、社会、文化及意识形态在特定的历史条件下多方运作的产物,是中国社会主义文化事务中极其重要的精神资源。
[Abstract]:Singing is not only the most daily cultural production and entertainment, but also the most symbolic thing in human culture. Different types of singing activities are always related to a specific place of voice and communication environment, always in the content and theme, melody and rhythm, music and communication and other aspects of the expression of specific geographical characteristics and spatial significance. Since the birth of modern Chinese songs, a large number of geographical images, as an important aesthetic object, are closely related to the crisis of China's territory and the great changes in social space during this period. " Frontier landscape and vast space-time experience are two main geographical images in Chinese revolutionary songs. The former was shaped by the Communist Party of China during the Yan'an period into a revolutionary birthplace capable of saving China from distress by adapting folk songs from northern Shaanxi; the latter was constructed as the richness of China's national territory. Integrity and various general social movements are the natural basis upon which they occur. This paper holds that the emergence of a large number of geographical factors in songs is the product of various operations of Chinese politics, society, culture and ideology under specific historical conditions, and is an extremely important spiritual resource in Chinese socialist cultural affairs.
【作者单位】：中国传媒大学文学院;
【分类号】：J609.2

【共引文献】