万载傩舞音乐研究
发布时间:2018-05-16 01:15
本文选题:傩 + 傩舞 ; 参考:《江西师范大学》2005年硕士论文
【摘要】:“傩”(Nuo)的出现在中国已有四千多年的历史,是中国历史上一个重要的文化现象。它被认为具有神奇的超自然威力——一种神秘的征服自然,完善人类生存环境的力量,与中国古代的雩祭、腊祭并列成为三大祭祀仪式,是祭祀活动中历史最久、影响最大的一种,经过几千年的发展、变异,至今仍在贵州、江西、湖南、四川、安徽、云南、广西等省市的一些乡村流传。近几十年来,中国傩走出国门,走向世界,许多地区傩班分赴各国表演,傩越来越多地被国外的研究者所关注,吸引了一大批以韩国、日本等汉文化圈国家为代表的专家和学者前来我国考察、进行学术交流,成果显著。 万载县傩舞是江西省傩舞原始生态保留较完整、较具独特性和代表性的一地方傩,有着四百多年的历史,其本体艺术特征和所蕴含的文化内涵构成了万载傩舞自身独特的精神取向、表现形式并有着深远的价值意义,深受民众喜爱流传至今。在已有的对万载傩舞研究的文献资料中,人们较多地是对傩舞活动的源流始末、发展轨迹、舞蹈动作等方面进行研究,而较少对作为傩舞最主要也是最重要的伴奏音乐进行细致、系统的研究。事实上,我们无法忽视跳傩中那原始拙朴的唱腔、粗犷有力的乐器伴奏、热烈欢快的曲调等音乐表现,正是这些形成了其独特的艺术表现力,烘托出跳傩的特殊气氛并配合傩舞表演把人们带入一个傩的世界。本课题基于笔者2004、2005年春节期间赴万载多个农村进行实地考察,对傩艺人的表演进行现场拍摄和录音的基础上,依照观察法、调查法、总结法、比较法、文献法、内容分析法、归纳法等科学研究方法,对万载傩舞音乐进行收集、挖掘和整理,细致地分析其伴奏乐器、唱词、唱腔、节奏、曲式结构等音乐特征,并力求通过这些音乐特征的分析探索其蕴含的审美寓意和文化沉积;最后,笔者就傩舞音乐的价值、万载傩舞在当代的传承与发展等问题淡谈自身的认识与思考。
[Abstract]:Nuo (Nuo) is an important cultural phenomenon in Chinese history. It is considered to have magical supernatural power-a mysterious power to conquer nature and perfect the living environment of human beings. It has become one of the three major sacrificial ceremonies in ancient China, along with the Rain sacrifice and the wax sacrifice. It is the longest history of the sacrificial activities. One of the most influential species, after thousands of years of development and variation, is still circulating in some villages in Guizhou, Jiangxi, Hunan, Sichuan, Anhui, Yunnan, Guangxi and other provinces and cities. In recent decades, Chinese Nuo has gone abroad to the world. Many regional Nuo classes have gone to various countries to perform. Nuo has been paid more and more attention to by foreign researchers, attracting a large number of South Korea. Experts and scholars from Japan and other Han culture countries came to China to conduct academic exchanges, with remarkable results. Nuo dance in Wanzai County is a place of Nuo dance in Jiangxi Province, which has a history of more than 400 years and is relatively complete, unique and representative. Its Noumenon artistic characteristics and cultural connotation constitute the unique spiritual orientation of Nuo Dance of Wancai, and its form of expression has far-reaching value meaning, which is deeply loved by the public and has been handed down to this day. In the literature on the study of Nuo dance in Wanzai, people mostly study the origin, development track, dance movement and so on of Nuo dance activities. Less detailed and systematic research on the most important accompaniment music as Nuo dance. As a matter of fact, we cannot ignore the primitive and unsophisticated singing of Nuo, the rugged musical instrument accompaniment, the enthusiastic and cheerful tunes, and so on. It is these that form its unique artistic expression. Setting off the special atmosphere of exorcism and carrying people into a world of exorcism. This topic is based on the author's 2004, 2005 Spring Festival period to carry on the field inspection in many rural areas, to the exorcism artist's performance spot photography and the recording foundation, according to the observation method, the investigation method, the summary method, the comparison method, the literature method, the content analysis method, Induction and other scientific research methods, collect, excavate and sort out the music of Nuo dance, and carefully analyze its musical characteristics, such as accompaniment, lyrics, singing, rhythm, musical structure, etc. And through the analysis of the characteristics of these music to explore its aesthetic implication and cultural deposition; finally, the author on the value of Nuo dance music, the inheritance and development of Nuo dance in the contemporary issues of their own understanding and thinking.
【学位授予单位】:江西师范大学
【学位级别】:硕士
【学位授予年份】:2005
【分类号】:J607
【引证文献】
相关期刊论文 前1条
1 张勇华;张庆勇;;关于赣傩文化研究视野的综述[J];景德镇高专学报;2010年01期
相关硕士学位论文 前1条
1 饶箐;南丰傩舞音乐变迁的探究[D];厦门大学;2008年
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