论黄自创作中的复调音乐

发布时间：2018-05-24 05:16

本文选题：黄自 + 复调音乐　；参考：《天津音乐学院》2005年硕士论文

【摘要】： 黄自是蜚声于我国三十年代乐坛的一位代表性音乐家。他的作品，历久长新，发人深省，超越时空，经得起考验，做到了中学为体，西学为用，深深吸取了西方音乐创作发展中的知识与技巧，发挥了中国音乐文化的精髓，为中国新音乐的发展起到了重要的启蒙作用。以往对黄自作品本体的研究或是从和声框架入手、或是从曲式结构入手、或是从作品的整体风格入手。本文试图对其作品中的复调音乐进行研究，希望能给人以启示。本文以安徽文艺出版社出版的《黄自遗作集》所收集的声乐及器乐作品为研究对象，根据黄自先生创作生涯中的不同历史时期和复调音乐风格上的不同特色，文章拟谈三个问题：传统巴洛克时期的特点形成黄自早期复调音乐风格的滥觞、主调与复调思维的交融、中西复调思维的交融，总结出黄自创作中复调音乐的风格特点及其对我们的启示：怎样将西方典型的传统复调音乐与中国民族语言、气质以及旋律、调式有机的结合在一起，怎样将复调思维及因素与主调音乐有机的结合在一起，黄自都作了有益的探索和尝试。他创作的复调音乐语言朴素、典型、精炼、多样，，对位法功底扎实。任何一种不扎实基本功的技术是不会得到可持续发展的。黄自将西方科学的技术理论和教育理念引进来，可谓“去其糟粕，取其精华”式的“拿来”，为我国音乐教育事业蓬勃发展打下了良好的基础。特别在当今全球一体化的格局下，每一个民族都在顽强发展着自己的文化，先辈们留给我们的遗产就显得更加难能可贵了!
[Abstract]:Huang is known as a representative musician in the music world of our country in the 1930's. His works, long and new, thought-provoking, transcend time and space, stand the test, have achieved high school for body, western learning for use, deeply absorb the knowledge and skills in the development of western music creation, and give play to the essence of Chinese music culture. For the development of new music in China played an important role in enlightenment. In the past, the research on the ontology of Huang Zi's works began with the harmony frame, the musical structure, or the whole style of the works. This paper attempts to study polyphonic music in his works in the hope of enlightening people. This paper focuses on the vocal and instrumental works collected by Anhui Literature and Art Publishing House. According to the different historical periods and the different characteristics of polyphonic music style in Mr. Huang's creative career, This paper discusses three questions: the characteristics of the traditional Baroque period formed the origin of Huangzi's early polyphony music style, the blending of the main tone and the polyphonic thinking, and the blending of the Chinese and the western polyphonic thinking. This paper summarizes the stylistic characteristics of polyphony music in Huang Zi's creation and its enlightenment to us: how to combine the traditional polyphony music of the West with the Chinese national language, temperament, melody and mode organically. Huang Zidu has made a beneficial exploration and attempt on how to combine polyphonic thinking and factors with the main tone music organically. His polyphonic music language simple, typical, refined, diverse, solid foundation to the law. No technology without solid fundamentals will be sustainable. Huang Zi's introduction of western scientific technology theory and educational idea can be described as "take the dregs away from the dregs" and lay a good foundation for the vigorous development of music education in our country. Especially in the context of global integration, each nation is tenaciously developing its own culture, the legacy left by our ancestors is even more valuable!
【学位授予单位】：天津音乐学院
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：J614.2

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