民间锣鼓节奏在中国钢琴音乐作品中的运用

发布时间：2018-06-02 20:31

本文选题：民间锣鼓节奏 + 中国钢琴音乐　；参考：《江西师范大学》2013年硕士论文

【摘要】：中国作曲家着力于创作具有民族特色的声韵、气韵和装饰色彩的语言旋律，吸收、模仿中国民族乐器音色特点及音响效果，设计鲜明的民族律动性的节奏和民族化的调式、和声织体，使中国钢琴作品彰显了鲜明的中华民族个性、抒发民族情感、展现民族精神。笔者试从具有典型锣鼓节奏的中国钢琴曲中分析和总结，，探讨我国作曲家如何在钢琴这一西洋乐器中摸索东方民族色彩感，民间锣鼓节奏元素运用的技法分析，以及对作品中“仿声”的和声创作手法等。第一章，根据对汉族的各种锣鼓节奏的梳理和归纳，分析汉族民间戏曲锣鼓节奏和汉族民间歌舞锣鼓节奏的如何模仿运用在不同风格的中国钢琴作品中，表现我国汉族的民间锣鼓节奏的风格特色。第二章，根据对少数民族的各种锣鼓节奏的梳理和归纳，主要以西北地区、西南地区、中南以及东北地区的少数民族为主线，分析各少数民族的特色锣鼓节奏和独特的民间歌舞鼓类节奏是如何模仿运用在表现民族内涵的中国钢琴作品中，如何体现各民族音乐的风格特征。第三章，以特色民间锣鼓节奏的运用为主线，阐述“递增”、“递减”的节奏模式和“1-4-7”节奏模式的意义，及如何在中国钢琴作品中体现中国传统音乐中节奏语言的民族特色和民族韵味。第四章，本章以和声上的仿声创作手法及合理安排钢琴的音色、音区、力度表现民间锣鼓节奏形态和各种民间锣鼓的敲击音色。第五章，本章阐述民间锣鼓节奏的运用对中国钢琴音乐作品的影响，所具有的现实意义。本文通过对民间锣鼓节奏在中国钢琴作品运用的梳理和归纳，旨在希望能够促使更多作曲家和院校学生的钢琴作品创作目光集中在我国的丰富多彩的锣鼓节奏形态上，也为笔者日后的学习和创作提供多些启示和借鉴。
[Abstract]:Chinese composers devote themselves to the creation of language melodies with national characteristics, charm and decorative colors, absorb and imitate the timbre characteristics and sound effects of Chinese national musical instruments, and design distinct national rhythms and nationalized modes. Harmony weaving makes the Chinese piano works show the distinct Chinese character, express the national emotion and show the national spirit. The author tries to analyze and summarize the Chinese piano music with typical rhythm of gongs and drums, and discusses how Chinese composers try to find out the oriental national color in the western instrument of piano, and the techniques used by folk gongs and drums in rhythmic elements. And the works of "imitation of sound" in the creation of harmony, and so on. In the first chapter, according to the combing and induction of the various gongs and drums of the Han nationality, the author analyzes how the rhythm of the Han folk opera gongs and drums and the Han folk song and dance gongs and drums are imitated and used in different styles of Chinese piano works. Performance of the Chinese Han folk gongs and drums rhythm style characteristics. In the second chapter, according to the rhythm of the various gongs and drums of the ethnic minorities, the main thread is the ethnic minorities in the Northwest, Southwest, Central and Northeast regions. This paper analyzes how the characteristic rhythm of gongs and drums and the unique rhythms of folk songs and dances are imitated and used in the Chinese piano works which express the national connotation, and how to embody the style characteristics of each nationality's music. The third chapter, taking the characteristic folk gongs and drums rhythm as the main line, expounds the meaning of the rhythm mode of "increasing progressively", "decreasing" and "1-4-7" rhythm pattern. And how to embody the national characteristics and national flavor of rhythmic language in Chinese traditional music in Chinese piano works. In the fourth chapter, this chapter presents the rhythmic form of folk gongs and drums and the percussion tone of various folk gongs and drums with harmony creation techniques and reasonable arrangement of piano timbre and timbre area. The fifth chapter, this chapter elaborates the folk gongs and drums rhythm to the Chinese piano music work influence, has the realistic significance. By combing and summing up the use of folk gongs and drums in Chinese piano works, this paper hopes to promote more composers and college students to focus on the rich and colorful rhythm of gongs and drums in our country. Also for the author in the future to learn and create to provide more inspiration and reference.
【学位授予单位】：江西师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J632.52;J624.1

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