韦伯《f小调第一单簧管协奏曲》第一乐章和声风格研究

发布时间：2018-06-05 07:31

本文选题：和弦 + 变音和弦　；参考：《音乐创作》2015年10期

【摘要】：韦伯作为欧洲音乐史上浪漫时期的重要作曲家,浪漫主义歌剧奠基人、钢琴家兼指挥家,学术界深入研究和借鉴其作曲理论,有助于借鉴、发展和弘扬中国民族音乐艺术。一直以来,国内的学者在研究韦伯《f小调第一协奏曲》方面做了大量的贡献。无论从创作的调式调性、演奏技术的角度、曲式分析的角度以及音乐内涵的表达等方面,都做了详细的论述,同时,也发表了许多有价值的学术论文,这些都是可喜可贺的。但笔者认为:对于韦伯《f小调第一单簧管协奏曲》和声艺术的研究一直比较少,甚至是空缺。因此,这项研究对国内学术界开启韦伯协奏曲的大门有一定启示作用,同时,也能为单簧管协奏曲创作的和声应用起到参考作用。
[Abstract]:As an important composer in the romantic period of European music history, the founder of Romantic opera, pianist and conductor, the academic circles deeply study and draw lessons from his composing theory, which is helpful to draw lessons from, develop and promote the Chinese folk music art. All along, domestic scholars have made a lot of contributions to the study of Webb's Concerto No. 1 in F minor. No matter from the aspects of the modulation of creation, the technical angle of playing, the angle of musical form analysis and the expression of music connotation, the author has made a detailed exposition. At the same time, many valuable academic papers have been published, all of which can be congratulated. However, the author thinks that the research on the harmony art of the first clarinet Concerto in Weber's F minor is still relatively few, or even vacant. Therefore, this research has certain enlightenment function to the domestic academic circles to open the door of the Webb concerto, at the same time, it can also play a reference role in the application of the harmony of the clarinet concerto creation.
【作者单位】：湖州师范学院艺术学院;
【分类号】：J621.4

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