论19世纪欧洲歌剧创作中音乐戏剧性的发展

发布时间：2018-06-06 06:41

本文选题：19世纪 + 欧洲歌剧　；参考：《湖南师范大学》2005年硕士论文

【摘要】：在歌剧创作中,音乐的戏剧性问题,是每一位从事歌剧创作的作曲家所面临的首要问题。作曲家对这个问题的理解,将直接影响到一部歌剧作品质量的好坏,因此曾使许许多多的作曲家为之魂牵梦萦,难以释怀。可以说歌剧创作中音乐的戏剧性问题永远是歌剧发展史中的一条贯穿主线,一个永恒主题。鉴于此,本文通过对发展巅峰的19世纪欧洲歌剧创作中音乐的戏剧性的研究,不仅有利于我们能更好地理解歌剧音乐,而且对我国现在歌剧创作提供理论上的借鉴依据。本文运用了理论与实际相结合、历史与现实相结合、国内与国外相结合的方法,主要涉及戏剧美学、歌剧美学、音乐史学、音乐分析学、社会历史学等学科内容,先从歌剧音乐的戏剧性谈起,然后对19世纪欧洲歌剧创作中音乐戏剧性的发展作系统阐述。本文分四个部分。第一部分重在阐述歌剧创作中音乐的戏剧性问题;第二部分从社会学、音乐学、美学等角度分析了19世纪欧洲歌剧音乐戏剧性发展的历史背景和起因;第三部分为全文的论述重点,着重阐述了发展的表现;第四部分则讨论这种发展对20世纪欧洲歌剧和中国歌剧所产生的影响。
[Abstract]:In opera creation, the dramatic problem of music is the most important problem that every composer who works in opera faces. The composer's understanding of this problem will directly affect the quality of an opera, so many composers have been haunted by it. It can be said that the dramatic issue of music in opera creation is always a main line and an eternal theme in the history of opera development. In view of this, this paper not only helps us to better understand opera music, but also through the dramatic study of the music in the 19th century opera creation, which is the peak of development. This paper uses the methods of combining theory with practice, combining history with reality, combining domestic and foreign, mainly involving drama aesthetics, opera aesthetics, and so on. The contents of music history, music analysis, social history and so on begin with the drama of opera music, and then systematically expound the development of musical drama in European opera creation in the 19th century. This paper is divided into four parts. The second part analyzes the historical background and causes of the dramatic development of European opera music in the 19th century from the angles of sociology, musicology and aesthetics. The third part is the emphases of the thesis, and the fourth part discusses the influence of the development on the European opera and Chinese opera in the 20th century.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：J609.1

【引证文献】