论古典奏鸣曲式的形成

发布时间：2018-06-07 11:35

本文选题：结构 + 体裁　；参考：《上海音乐学院》2006年博士论文

【摘要】：本文是一篇关于古典奏鸣曲式形成的论文，所研究的时间跨度约在1700—1780年间。全文共分上、下两篇。上篇探讨了古典奏鸣曲式的雏形二段式与三段式是如何具有了古典奏鸣曲式的调性布局和结构规划，并主要以咏叹调和独奏协奏曲为主探讨了18世纪奏鸣风格的发展。下篇主要是从交响曲和独奏奏鸣曲两个方面对古典奏鸣曲式的形成进行了探讨，并对主要作曲家的作品进行了研究，，对每位作曲家在古典奏鸣曲式形成过程中的历史贡献作了总结。在此过程中，作者主要提出了以下观点： 1．奏鸣曲式的结构和古典风格的结合是古典奏鸣曲式形成的标准； 2．古典奏鸣曲式的形成时间是在1770年代； 3．古典奏鸣曲式的直接来源并非仅是古奏鸣曲式，而且还有前奏鸣曲式； 4．前奏鸣曲式主要是交响曲中古典奏鸣曲式的前身，而古奏鸣曲式主要是独奏奏鸣曲中古典奏鸣曲式的前身； 5．奏鸣曲式呈示部中主-属的调性区域不仅来自于二段式，而且还受到了利都奈罗曲式的影响； 6．古典奏鸣曲式和协奏曲曲式之间存在相互影响的“交互期”； 7．无展开部的奏鸣曲式的来源是歌剧咏叹调； 8．非主题展开部的来源是具有炫技特征的协奏曲曲式，而插部式的新主题展开部的主要来源是DaCapo曲式。
[Abstract]:This paper is about the formation of classical sonata form, the time span is about 1700-1780. The full text is divided into two parts. In the first part, the author discusses how the two and three sections of the classical sonata form have the tonal layout and structural planning of the classical sonata form, and mainly discusses the development of the 18th-century sonata style with the emphasis on arias and solo concertos. The second part mainly discusses the formation of classical sonata form from two aspects of symphony and solo sonata, and studies the works of the main composers. The historical contribution of each composer in the formation of classical sonata is summarized. In this process, the author mainly put forward the following points of view: 1. The combination of the structure of the sonata form and the classical style is the standard of the formation of the classical sonata form. 2. The formation time of classical sonata form was in 1770's; 3. The direct source of classical sonata form is not only the ancient sonata form, but also the pre-sonata form. 4. The former sonata form is mainly the predecessor of the classical sonata form in the symphony, while the ancient sonata form is the predecessor of the classical sonata form in the solo sonata. 5. The tonality region of the principal genus in the sonata presentation is not only derived from the two-stage form, but also influenced by the Lydonero formula. 6. There is an interactive period between classical sonata and concerto form. 7. The source of the Sonata form is the opera aria; 8. The source of the non-thematic expansion is the Concerto form with the characteristic of dazzling skill, while the main source of the new theme unfolding part of the intercalation is the DaCapo form.
【学位授予单位】：上海音乐学院
【学位级别】：博士
【学位授予年份】：2006
【分类号】：J614.3

【引证文献】